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  • testing

    testing

    Recorder & Keyboard part, 23
    $23.00

  • testing

    testing

    67pp
    $56.00

  • JacquetSonata1st2Mvts.

    4 pp.
    $0.50

  • St.-GeorgesOp1#4

    8 pp.
    $0.50

  • CortegeBurlesqueFull

    13 pp.
    $1.00

  • Fugue from Sonata No. 2, BWV 1003

    10 pp.
    $1.00

  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 7+2 pp.
    $0.50

  • 2nd Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder part, 2 pp.
    $0.50

  • Bach Goldberg Variation No. 25

    Recorder & Keyboard part, 3+2 pp.
    $0.50

  • Aria

    20th number in this, the “Peasant” Cantata. Originally for bass, violin, and continuo in A major, transposed here to F. This aria is a parody of an aria, number seven from Cantata 201, “Zu Tanze, zu Sprunge,” which was also used in the transcription. Both arias have a “B” section which is omitted in this transcription. Title means, “May you ever prosper.”

    Recorder part, 2 pp.
    $0.50

  • 2nd Mvmt.

    Originally in f minor, transposed here to a. Thought to have been based on a lost violin concerto. Recorder plays main theme in tutti sections. Includes optional cadenza in 3rd mvmt. Optional low “E” in 1st mvmt. Included are optional recorder parts for voice flute switching to alto in both the 1st and 3rd mvmts. Minor revisions 12.8.14.

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • Both 2. Allemande and 3. Corrente

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder part, 2 pp.
    $0.50

  • Aria-2-Recorder part

    Second number in the cantata. Originally for soprano, oboe, violin, violoncello piccolo, and basso continuo, in original key of F major. Title means, “My believing heart.”

    Recorder part, 2 pp.
    $0.50

  • 1st mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • 3rd mvmt.

    Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?

    Recorder & Keyboard part, 11+3 pp.
    $1.00

  • Mahler9CompleteRecPts

    20 pp.
    $1.00
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