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  • Prelude No. 19

    Originally in A major, transposed here to C.

    Recorder part, 1 pp.
    $0.50

  • 2nd Mvmt.

    Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.

    Recorder part, 2 pp.
    $0.50

  • Recorder parts for all 3 Mvmts

    Originally in Eb major, transposed here to G.

    4 pp.
    $1.00

  • Pastorale

    The finale from the concerto grosso. Originally for concertino and ripieno strings, transposed here from G major to C. Note that we also offer a version for soprano and alto recorders within the item ?24 Duets from Medi?val to Mahler? in the Recorder Duets section. Revised August 6, 2016.

    Recorder part, 1 pp.
    $0.50

  • Chorale Prelude,”Wenn wir in höchsten Nöthen sein”, BWV 641

    Originally in G major, transposed here to C. Title means: “When we are in the most urgent peril.”

    Recorder part, 1 pp.
    $0.50

  • 2-part Invention No. 12, BWV 783

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • Fugue

    Originally in g minor, transposed here to d. Contains a high A and some high F#’s that are not too difficult for intrepid recorder players. And some of these and other high passages are given with lower options.

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Recorder parts for Prelude and Fugue No. 15—version in Bb

    1+1 pp.
    $0.75

  • Concerto for Clarinet and Orchestra, K. 622, 2nd mvmt.

    Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.

    Recorder part, 1 pp.
    $0.50

  • 3rd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Aria,

    Fifth number in this oratorio. Originally for soprano, flute/violin, bassoon and continuo, in b minor transposed here to d. Title means, “O my soul, your spices should no more be myrrh”.

    Recorder part, 2 pp.
    $0.50

  • 4th Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50

  • 1st mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 2 pp.
    $0.50

  • Fantasie BWV 572 3rd Section

    Recorder part, 2 pp.
    $0.50

  • Duet for soprano and tenor recorders

    1 pp.
    $0.50

  • Duet No. 4 for Flutes, F. 57

    7 pp.
    $0.50
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