Showing 17–32 of 1187 results

  • 3rd Mvmt., Alla breve

    Originally in G major, transposed here to Bb.

    2 pp.
  • 2nd Mvmt.

    Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?

    Recorder part, 1 pp.
  • Both versions

    Solo part only. Harder version originally in G major, transposed here to C, with a few high F#’s that are not terribly difficult, though there are plenty of other challenges. We also offer an easier version in the original key with no high F#’s but with a switch to C recorder.

    2+2 pp.
  • 3MorceauxManièreInEm(OriginalPitch)

    5 pp.
  • Brandenburg Concerto No. 1 BWV 1046 1st three Mvmts.

    Originally in F major, transposed here to C.

    5 pp.
  • Chorus “Ach Gott wie manches Herzeleid” from Cantata 3

    Recorder & Keyboard part, 6+2 pp.
  • Excerpt from Piano Sonata, D. 958, 4th mvmt., version for bass recorder

    Recorder & Keyboard part, 3+1 pp.
  • *La Belle Excentrique (Fantaisie Sérieuse)*


    Duet, 22+4 pp.
  • Mozart Trio, K. 563.1

    16 pp.
  • 4th Mvt. from Symphony No. 29

    7 pp.
  • St.GeorgesOuverture1stMvt.

    6 pp.
  • testing


    Recorder part, 23
  • testing


    Duet, 34
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