Showing 17–32 of 1195 results

  • Recorder parts for both Fantasia and Fugue

    Originally in g minor, transposed here to d. Contains a high A and some high F#’s that are not too difficult for intrepid recorder players. And some of these and other high passages are given with lower options.

    2+2 pp.
  • Prélude and Fugue No. 10, BWV 855

    6+2 pp.
  • Mozart K. 622 Recorder pts. for all 3 mvmts.

    5+1+4 pp.
  • 3rd Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder part, 2 pp.
  • Bourrée I & II—d minor version

    Originally in a minor, transposed here to d. Note that these same four movements are also available in the catalogue in the key of c. Bourr?e I and II require a change to either tenor or voice flute. To avoid this, one could use the version of this piece in c. To avoid the change of key, one could mix and match between the two versions which would necessitate using recorders either one whole tone down (in Eb) or one whole tone up (in G), in alternation with the familiar recorder in F.

    Recorder part, 1 pp.
  • Sarabande from Partita No. 1, BWV 825

    Originally in Bb major, transposed here to F.

    Recorder & Keyboard part, 2+1 pp.
  • Bach Fugue from BWV 543

    Originally in a minor, transposed here to d.

    Recorder & Keyboard part, 10+2 pp.
  • First Movement

    Allegro and Menuetto & Trio, originally in g minor, transposed here to c (Trio in G major transposed to C). First movement contains easier options for a pair of difficult 16th-note runs in parallel 4-bar passages in the exposition and recapitulation.

    Recorder & Keyboard part, 13+3 pp.
  • Fugue for Violin and Continuo BWV 1026

    Same key and mode as in original?g dorian.

    Recorder part, 2 pp.
  • Aria, “Gott, bei deinem starken Schützen,” from Cantata 14

    Recorder & Keyboard part, 6+2 pp.
  • 2nd Mvmt., Lamentabile

    Originally in F major, transposed here to Bb.

    2 pp.
  • 1st Mvmt.

    Originally for double flutes, double oboes da caccia, soprano and continuo, in f dorian, transposed here to a dorian. Title means ?Release, O my heart, your torrents of crying.?

    1 pp.
  • “Scherzo” from Fantaisie for pf. 4-hands, D. 940

    The Allegro vivace section, m. 164 ff., transposed down a major 3rd.

    Recorder & Keyboard part, 4+2 pp.
  • Recorder parts for all 3 movements

    Originally for three harpsichords and orchestra in C major, transposed here to F.

    3+1+3 pp.
  • *La Belle Excentrique (Fantaisie Sérieuse)*

    Recorder & Keyboard part, 22+4 pp.
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