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Showing 33–48 of 231 results
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Fugue
Originally in c minor, transposed here to a.
Recorder part, 1 pp. -
Chorale Prélude, \"Wenn wir in höchsten Nöthen sein,\" BWV 641
Originally in G major, transposed here to C. Title means: “When we are in the most urgent peril.”
Recorder part, 1 pp. -
Aria
Fourth number in the cantata. Originally in e minor, transposed here to g, written for alto, flute, and basso continuo. Title means, “Deluded world!”
Recorder part, 2 pp. -
Prelude
Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.
Recorder part, 2 pp. -
2. Adagio ma non troppo
Originally in e minor, transposed here to g.
Recorder part, 1 pp. -
Both Prelude and Fugue
Originally in C major, transposed here to Bb. After the early attribution to Bach, considerable doubt has arisen among scholars that he composed this and its companions among the “Eight Short Preludes and Fugues,” BWV 553-560. But there is no consensus on the true composer.
Recorder part, 1 pp. -
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Recorder part, 23 -
Prelude No. 19
Originally in A major, transposed here to C.
Recorder part, 1 pp. -
Chorus “Was Gott thut das ist wohlgethan” from Cantata 99/100
This arrangement is based on a chorus which in similar form opens both Cantata 99 and 100. It is for full Baroque orchestra plus four-part chorus. The title, the same in both cases, means “What God does, that is rightly done.” The original key in both cases is G major, transposed here to C.
Recorder part, 2 pp. -
2nd mvmt.
Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.
Recorder part, 1 pp. -
Fugue No. 15, BWV 860
Originally in G major, transposed here to F.
Recorder part, 2 pp. -
K. 55
Originally for solo keyboard in G major, transposed here to C.
Recorder part, 2 pp. -
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Allemande from Partita No. 5 BWV 829
Originally in G major, transposed here to Bb.
Recorder part, 1 pp. -
2nd Mvmt.
Originally in Eb major, transposed here to G.
Recorder part, 1 pp.