Recorder part

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Showing 17–32 of 231 results

  • 3rd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder part, 2 pp.
    $0.50

  • 1st Movement from String Quintet, D. 956

    Recorder part, 4 pp.
    $0.50

  • Variation 25

    Originally in g minor, transposed here to c. Mm. 5-8 can only be played by switching either to old-pitch voice flute (assuming original context to be modern-pitch) or to tenor?but there is plenty of time for the switch and then the switch back. There is also an option to switch to various recorders, including soprano, at the hair-raising mm. 21-24.

    Recorder part, 2 pp.
    $0.50

  • 1st Mvmt.

    Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.

    Recorder part, 3 pp.
    $0.50

  • Prelude No. 15, BWV 860

    Originally in G major, transposed here to F.

    Recorder part, 1 pp.
    $0.50

  • K. 33

    Originally for solo keyboard in D major, transposed here to F.

    Recorder part, 2 pp.
    $0.50

  • Gigue—c minor version

    Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.

    Recorder part, 1 pp.
    $0.50

  • Two Canzonets by Thomas Morley

    “See mine own Sweet Jewel”, and “Aria a 3 Voices”. Both originally in G Mixolydian, transposed here to C Mixolydian.

    Recorder part, 1 pp.
    $0.50

  • 1st Mvmt.

    Originally in Eb major, transposed here to G.

    Recorder part, 2 pp.
    $0.50

  • Gavotte en Rondeau

    Originally in E major, transposed here to F.

    Recorder part, 2 pp.
    $0.50

  • 4. Sarabande

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder part, 1 pp.
    $0.50

  • 3rd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder part, 2 pp.
    $0.50

  • 1st Mvmt.

    Originally in G major, transposed here to F.

    Recorder part, 3 pp.
    $0.50

  • 1st Mvmt.

    Allegro and Menuetto & Trio, originally in g minor, transposed here to c (Trio in G major transposed to C). First movement contains easier options for a pair of difficult 16th-note runs in parallel 4-bar passages in the exposition and recapitulation.

    Recorder part, 3 pp.
    $0.50

  • Gnossienne No. 1

    Written in 1890 for piano solo. At original pitch here.

    Recorder part, 1 pp.
    $0.50
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