Recorder part
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Contrapunctus 13 Rectus
Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.
Recorder part, 1 pp. -
Prelude No. 11
Originally in F major, transposed here to C.
Recorder part, 2 pp. -
1. Fantasia
Originally in a minor, transposed here to d. Includes an introductory commentary.
Recorder part, 2 pp. -
Concerto for Clarinet and Orchestra, K. 622, 3rd mvmt.
Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.
Recorder part, 4 pp. -
Preludeāc minor version
Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.
Recorder part, 2 pp. -
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