Recorder part

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Showing 209–224 of 231 results

  • Fugue

    Originally in a minor, transposed here to d.

    Recorder part, 2 pp.
    $0.50

  • “Danse cuirassée,” from *Vieux sequins et vielles cuirasses*

    Originally for piano solo. Title means, “Armored Dance,” 2nd movement from Old Sequins and old Breastplates. Any size recorder can be used from bass up to soprano, but to stick with the original register, bass or tenor should be used.

    Recorder part, 1 pp.
    $0.50

  • 1st Mvmt.

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50

  • “Pastorale” from the “Christmas” Concerto, Op. 6, No. 8

    Recorder part, 1 pp.
    $0.50

  • test

    Recorder part, 5 pp.
    $1.00

  • 2nd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 1 pp.
    $0.50

  • Both Rondeaux & Capriccio

    Originally in c minor, transposed here to g. Contains an optional high F#.

    Recorder part, 1+2 pp.
    $0.75

  • Gavotte I & II

    Originally in g minor transposed here to c.

    Recorder part, 1 pp.
    $0.50

  • Capriccio from Partita No. 2 BWV 826

    Originally in c minor, transposed here to g. Contains an alternative ending which keeps the original register of a passage which lies very high on the instrument. The main body of the arrangement contains a lower?and easier?version of the passage. There is also an optional high A elsewhere in the piece.

    Recorder part, 2 pp.
    $0.50

  • 3rd Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 2 pp.
    $0.50

  • Prelude No. 10

    Originally in e minor, transposed here to a.

    Recorder part, 1 pp.
    $0.50

  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50

  • 1st Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder part, 2 pp.
    $0.50

  • *La Belle Excentrique (Fantaisie Sérieuse)*

    Recorder part, 2
    $2.00
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