Recorder part

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Showing 193–208 of 231 results

  • 3rd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 2 pp.
    $0.50

  • Aria,

    Fifth number in this oratorio. Originally for soprano, flute/violin, bassoon and continuo, in b minor transposed here to d. Title means, “O my soul, your spices should no more be myrrh”.

    Recorder part, 2 pp.
    $0.50

  • Prelude No. 22, BWV 891

    Originally in Bb minor, transposed here to d.

    Recorder part, 1 pp.
    $0.50

  • Gnossienne 2

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50

  • 2nd Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50

  • Chorale Prelude “Das alte Jahr vergangen ist” BWV 614

    Originally in a minor, transposed here to d. Title means: “The old year is past”. Clearly New Year’s Eve is one good time to play this.

    Recorder part, 1 pp.
    $0.50

  • Fugue No. 15—version in Bb

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50

  • Canon at the Octave

    Originally in d minor, transposed here to g. Contains a fermata 4 bars before the end. A FREE item from this website is due anybody who can correctly identify the meaning of this fermata. By the way, the page turns for the kbd. player on this piece have been created better than one can believe (i. e. VERY easy for the player)!

    Recorder part, 2 pp.
    $0.50

  • Capriccio

    Originally in C# major, transposed here to F.

    Recorder part, 2 pp.
    $0.50

  • Gigue

    Originally in G major, transposed here to C.

    Recorder part, 1 pp.
    $0.50

  • Contrapunctus 9

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50

  • Pastorale

    The finale from the concerto grosso. Originally for concertino and ripieno strings, transposed here from G major to C. Note that we also offer a version for soprano and alto recorders within the item ?24 Duets from Medi?val to Mahler? in the Recorder Duets section. Revised August 6, 2016.

    Recorder part, 1 pp.
    $0.50

  • Polonaise

    Originally for concertino and ripieno strings, in G major?we offer a choice of original pitch or in F major. Due to its restricted range, the latter, in particular, may be played on a Renaissance alto. See the note under the Trio from Brandenburg Concerto No. 1. Note that we also feature a version for recorder duet as part of “24 Duets”.

    Recorder part, 1 pp.
    $0.50

  • Concerto for Clarinet and Orchestra, K. 622, 2nd mvmt.

    Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.

    Recorder part, 1 pp.
    $0.50

  • Gigue—d minor version

    Originally in a minor, transposed here to d. Note that these same four movements are also available in the catalogue in the key of c. Bourr?e I and II require a change to either tenor or voice flute. To avoid this, one could use the version of this piece in c. To avoid the change of key, one could mix and match between the two versions which would necessitate using recorders either one whole tone down (in Eb) or one whole tone up (in G), in alternation with the familiar recorder in F.

    Recorder part, 1 pp.
    $0.50
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