Recorder part

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Showing 177–192 of 236 results

  • Contrapunctus 13 Rectus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written.

    Recorder part, 1 pp.
    $0.50
  • Prelude No. 11

    Originally in F major, transposed here to C.

    Recorder part, 2 pp.
    $1.00
  • 1. Fantasia

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder part, 2 pp.
    $0.50
  • Concerto for Clarinet and Orchestra, K. 622, 3rd mvmt.

    Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.

    Recorder part, 4 pp.
    $0.50
  • Prelude—c minor version

    Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.

    Recorder part, 2 pp.
    $0.50
  • 4th Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50
  • “Son Binocle,” from *Les trois valses distinguées du précieux dégoûté*, for bass recorder (or alto) in two different versions.

    Originally for solo piano. Title means “His pince-nez,” from Three distinguished waltzes of the fastidious affected one. Alternate version takes the music down a major 3rd.

    Recorder part, 1 pp.
    $0.50
  • Description

    testing

    Recorder part, 45pp
    $45.00
  • 3rd Mvmt.

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • 1st Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder part, 2 pp.
    $0.50
  • Both Rondeaux & Capriccio

    Originally in c minor, transposed here to g. Contains an optional high F#.

    Recorder part, 1+2 pp.
    $0.75
  • Prelude No. 22, BWV 891

    Originally in Bb minor, transposed here to d.

    Recorder part, 1 pp.
    $0.50
  • Gnossienne 2

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50
  • Variation 13

    Originally in G major, transposed here to C. Contains optional low E, in a reasonably doable context (about as easy a context as can exist), as the last note.

    Recorder part, 2 pp.
    $0.50
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