Recorder part
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Showing 1–16 of 231 results
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2nd Mvmt.
Originally in C major, transposed here to F. Keyboard part has very good page-turns.
Recorder part, 2 pp. -
Allemande
Originally in G major, transposed here to C.
Recorder part, 1 pp. -
Duet, “Ich hab’ vor mir ein’ schwere Reis’,” from Cantata 58
Fifth and final number in the cantata. Originally for soprano, bass, 2 oboes, strings, and basso continuo, transposed here from C major to F. Title means, “I have before me a hard journey.”
Recorder part, 2 pp. -
1st Section of Fantasie
Recorder part, 1 pp. -
Prelude and Fugue, BWV 544
Originally in b minor, transposed here to g. Note that a version of just the Prelude for keyboard and recorder is now available in the Pieces for Solo Recorder and Keyboard section of this website.
Recorder part, 3+2 pp. -
2nd mvmt.
Originally in C major, transposed here to F.
Recorder part, 1 pp. -
Gnossienne No. 3
Written in 1890 for piano solo. At original pitch here.
Recorder part, 1 pp. -
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2-part Invention No. 12
Originally in A major, transposed here to F.
Recorder part, 1 pp. -
3rd mvmt.
Originally in c minor, transposed here to g. Revised Dec. 12, 2016.
Recorder part, 2 pp. -
Gigue
Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.
Recorder part, 1 pp. -
4. Gigue
Originally in e minor, transposed here to g.
Recorder part, 1 pp. -
Fugue for Violin and Continuo BWV 1026
Same key and mode as in original?g dorian.
Recorder part, 2 pp. -
1st Mvmt.
Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.
Recorder part, 2 pp.