Recorder part

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Showing 1–16 of 231 results

  • 2nd Mvmt.

    Originally in Eb major, transposed here to G.

    Recorder part, 1 pp.
    $0.50
  • Aria

    This is an exceptional piece from the baroque period on this site in that it goes above c6 to g6 in the keyboard part. The fourth number in the cantata, it is originally for tenor, 2 violins concertante and continuo in a minor, transposed here to c. Because of the pervasive triplets, I believe the duple music should be assimilated to the triplets, and have lined it up that way. However, it may also be played as written. Title means, “The Father’s voice let itself be heard.”

    Recorder part, 2 pp.
    $0.50
  • Both 5. Burlesca and 6. Scherzo

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder part, 1 pp.
    $0.50
  • K. 55

    Originally for solo keyboard in G major, transposed here to C.

    Recorder part, 2 pp.
    $0.50
  • Allemande from Partita No. 5 BWV 829

    Originally in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • 1st Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder part, 2 pp.
    $0.50
  • Chorale Prelude,”Wenn wir in höchsten Nöthen sein”, BWV 641

    Originally in G major, transposed here to C. Title means: “When we are in the most urgent peril.”

    Recorder part, 1 pp.
    $0.50
  • Aria-2-Recorder part

    Second number in the cantata. Originally for soprano, oboe, violin, violoncello piccolo, and basso continuo, in original key of F major. Title means, “My believing heart.”

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder part, 2 pp.
    $0.50
  • Bach Prélude and Fugue, BWV 544

    Recorder part, 3+2 pp.
    $0.50
  • 1st mvmt.

    Originally in C major, transposed here to F.

    Recorder part, 2 pp.
    $0.50
  • Gnossienne No. 2

    Written in 1890 for piano solo. At original pitch here.

    Recorder part, 1 pp.
    $0.50
  • Fugue No. 19

    Originally in A major, transposed here to C.

    Recorder part, 1 pp.
    $0.50
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