Recorder part

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  • Bach Chorale Prélude, BWV 659

    Recorder part, 4+1 pp.
    $0.50
  • 1st Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder part, 3 pp.
    $0.50
  • 2-part Invention No. 4

    Originally in d minor, transposed here to g.

    Recorder part, 1 pp.
    $0.50
  • Concerto for Clarinet and Orchestra, K. 622, 1st mvmt.

    Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.

    Recorder part, 5 pp.
    $0.50
  • Preludeā€”d minor version

    Originally in a minor, transposed here to d. Note that these same four movements are also available in the catalogue in the key of c. Bourr?e I and II require a change to either tenor or voice flute. To avoid this, one could use the version of this piece in c. To avoid the change of key, one could mix and match between the two versions which would necessitate using recorders either one whole tone down (in Eb) or one whole tone up (in G), in alternation with the familiar recorder in F.

    Recorder part, 2 pp.
    $0.50
  • 2nd Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50
  • Trio Sonata from *Musical Offering* BWV 1079 Complete

    Originally for flute, violin, and continuo. Transposed here from c minor to d (except for the 3rd movement which goes from Eb to F). There are some optional low E’s.

    Recorder part, 2 pp.
    $0.50
  • strozziAriaAureGiaChe

    Recorder part, 34pp
    $342.00
  • test movement 2

    Recorder part, 5 pp.
    $1.50
  • 3rd mvmt.

    Originally in g minor, transposed here to d. The violin concerto BWV 1041 in a minor was also used as a source for this arrangement. Care has been taken on the page turns. For movements 1 & 2, which have odd numbers of pages, the page turns were optimized so that it is best to begin with page 1 on the right side?i.e., the best page turns are between pp. 1 and 2, between 3 and 4, etc. Film buffs take note that the ending of the 1991 movie ?Truly, Madly, Deeply? features music from the slow movement of this concerto. Third movement revised May 12, 2015, and Jan. 5, 2016. First movement revised Sept. 4, 2015.

    Recorder part, 2 pp.
    $0.50
  • Gavotte I & II

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder part, 1 pp.
    $0.50
  • Fugue No. 4

    Originally in c# minor, transposed here to a. NB: The five pages of the keyboard part are arranged so that the page-turns should be between 1 & 2, and then 3 & 4.

    Recorder part, 1 pp.
    $0.50
  • Gnossienne 3

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50
  • 2nd Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
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