Recorder & Keyboard part

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Showing 49–64 of 283 results

  • Four Mvmts. from English Suite No. 5, BWV 810

    Recorder & Keyboard part, 16+5 pp.
    $0.50

  • The Arrival of the Queen of Sheba,” from *Solomon*

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Prélude and Fugue No. 8 BWV 853

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Bach Prélude and Fugue BWV 558 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • G minor version

    Description

    Recorder & Keyboard part, 34
    $43.00

  • 1st Mvmt.

    Originally in Eb major, transposed here to G.

    Recorder & Keyboard part, 4+2 pp.
    $0.50

  • Aria, “Des Vaters Stimme ließ sich hören,” from Cantata 7

    Recorder & Keyboard part, 10+2 pp.
    $0.50

  • Fugue

    Originally in g minor, transposed here to d. Contains a high A and some high F#’s that are not too difficult for intrepid recorder players. And some of these and other high passages are given with lower options.

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Augmentation Canon in Contrary Motion

    Originally in d minor, transposed here to g.

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • 3rd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Lento assai from String Quartet No. 16, Op. 135, for bass recorder, doubling alto, and keyboard

    Recorder & Keyboard part, 3+1 pp.
    $0.50

  • Sonata No. 5 for Violin & Keyboard BWV 1018

    Recorder & Keyboard part, 18+6 pp.
    $1.00

  • Prélude and Fugue No. 20, BWV 889

    Recorder & Keyboard part, 10 pp.
    $0.50

  • testing

    testing

    Recorder & Keyboard part, 23
    $23.00

  • 1st Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • Chorale Prelude “In dir ist Freude” BWV 615

    Recorder & Keyboard part, 4+1 pp.
    $0.50
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