Recorder & Keyboard part

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Showing 257–272 of 283 results

  • Two Canzonets by Thomas Morley

    “See mine own Sweet Jewel”, and “Aria a 3 Voices”. Both originally in G Mixolydian, transposed here to C Mixolydian.

    Recorder & Keyboard part, 2+1 pp.
    $2.00
  • Morley: Two Canzonets to Three Voices

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • String Quartet Op. 33 No. 2 “Joke” Finale

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • The Minuets from Five Late Symphonies

    Recorder & Keyboard part, 20 pp.
    $2.00
  • testing

    testing

    Recorder & Keyboard part, 121
    $1,212.00
  • 2nd Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • 1st Mvmt. Keyboard plus 2 recorder part options

    Originally in f minor, transposed here to a. Thought to have been based on a lost violin concerto. Recorder plays main theme in tutti sections. Includes optional cadenza in 3rd mvmt. Optional low “E” in 1st mvmt. Included are optional recorder parts for voice flute switching to alto in both the 1st and 3rd mvmts. Minor revisions 12.8.14.

    Recorder & Keyboard part, 6+4 pp.
    $1.00
  • 1st mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder & Keyboard part, 8+2 pp.
    $2.00
  • Sarabande from Partita No. 1, BWV 825

    Originally in Bb major, transposed here to F.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 3rd Mvmt.

    Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?

    Recorder & Keyboard part, 8+2 pp.
    $0.50
  • Aria, “Jesus nimmt die Sünder an,” from Cantata 113

    Recorder & Keyboard part, 7+2 pp.
    $0.50
  • 3-part Invention No. 12, BWV 798

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Bach Concerto for Harpsichord and Orchestra BWV 1059

    Recorder & Keyboard part, (8+2+2+6+4/+3+1+1+2+2 [31]) pp.
    $2.00
  • Fugue

    Originally in A major, transposed here to C.

    Recorder & Keyboard part, 4+1 pp.
    $0.50
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