Recorder & Keyboard part

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Showing 209–224 of 283 results

  • Prelude

    Originally in C# major, transposed here to F.

    Recorder & Keyboard part, 2 pp.
    $2.00

  • Chorus, “Was Gott thut, das ist wohlgethan,” from Cantata 99/100

    Recorder & Keyboard part, 8+2 pp.
    $0.50

  • 1. Fantasia

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 4+2 pp.
    $0.50

  • 1st mvmt.

    Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?

    Recorder & Keyboard part, 6+2 pp.
    $1.00

  • First Movement

    Allegro and Menuetto & Trio, originally in g minor, transposed here to c (Trio in G major transposed to C). First movement contains easier options for a pair of difficult 16th-note runs in parallel 4-bar passages in the exposition and recapitulation.

    Recorder & Keyboard part, 13+3 pp.
    $0.50

  • Gnossienne No. 3

    Written in 1890 for piano solo. At original pitch here.

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • Aria, “Domine Deus” from Missa Brevis, BWV 234 for alto recorder doubling soprano or tenor

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Trio Sonata No. 4, BWV 528

    Recorder & Keyboard part, 18 pp.
    $1.00

  • Sonata K.281, version in C major

    Recorder & Keyboard part, 19 pp.
    $2.00

  • 1st Mvmt.

    Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.

    Recorder & Keyboard part, 9+2 pp.
    $1.00

  • Aria “Dein Wachsthum sei feste” from Cantata 212

    Recorder & Keyboard part, 4+2 pp.
    $0.50

  • Aria “Ich traue seiner Gnaden” from Cantata 97

    Recorder & Keyboard part, 6+2 pp.
    $0.50

  • Sarabande

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 2+1 pp.
    $0.50

  • Trio Sonata from *Musical Offering* BWV 1079 Complete

    Recorder & Keyboard part, 27 pp.
    $2.00

  • Aria, “Weichet nur, betrübte Schatten,” from Cantata 202

    Recorder & Keyboard part, 4+1 pp.
    $0.50

  • 2-part Invention No. 8, BWV 779

    Recorder & Keyboard part, 2+1 pp.
    $0.50
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