Recorder & Keyboard part

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  • Ferrabosco II at original pitch, for Ten./Sop. Recorder & keyboard

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • Allemande from Suite No. 4, BWV 1010

    Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.

    Recorder & Keyboard part, 2+1 pp.
    $2.00
  • 4. Sarabande

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Italian Concerto, BWV 971, 3rd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder & Keyboard part, 8+2 pp.
    $2.00
  • 2nd mvmt.

    Originally in C major, transposed here to F.

    Recorder & Keyboard part, 4+1 pp.
    $0.50
  • Opening Ritornel from Chorus “Gott der Herr ist Sonn’ und Schild” from Cantata 79

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Sonata da Chiesa K. 144

    Originally for organ, two violins and bass in D major, transposed here to F. Revised Jan. 16, 2017.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • “Lebenstürme”

    Recorder & Keyboard part, 5 pp.
    $0.50
  • Contrapunctus 8

    Originally in d minor, transposed here to g. This arrangement is dedicated to Larry Zukoff, the teacher with whom I first played this fugue in a recorder arrangement (a different one, I believe by him).

    Recorder & Keyboard part, 9+2 pp.
    $0.50
  • “Pastorale” from the “Christmas” Concerto, Op. 6, No. 8

    Recorder & Keyboard part, 4+1+1 pp.
    $2.00
  • 2nd Mvmt.

    Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.

    Recorder & Keyboard part, 7+2 pp.
    $0.50
  • Double

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • “Danse cuirassée,” from *Vieux sequins et vielles cuirasses*

    Recorder & Keyboard part, 1+1 pp.
    $0.50
  • Prélude No. 13, BWV 882/1

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • “Rheinlegendchen” from *Des Knaben Wunderhorn* by Mahler, arr. for alto doubling C instrument

    Recorder & Keyboard part, 4+2 pp.
    $0.50
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