6+2 pp.
from:
Showing 17–31 of 31 results
-
Aria, “Ich bin vergnügt in meinem Leiden,” from Cantata 58
Recorder & Keyboard part, 6+2 pp. -
Chorus “Ach Gott wie manches Herzeleid” from Cantata 3
Recorder & Keyboard part, 6+2 pp. -
3rd mvmt.
Originally a concerto for violin in E major (BWV 1042), then a concerto for harpsichord in D, transposed in this arrangement to G. 2nd movement contains one high f# which is not too difficult for a good player.
Recorder & Keyboard part, 6+2 pp. -
Augmentation Canon in Contrary Motion
Originally in d minor, transposed here to g.
Recorder & Keyboard part, 6+2 pp. -
Aria, “Domine Deus” from Missa Brevis, BWV 234 for alto recorder doubling soprano or tenor
Recorder & Keyboard part, 6+2 pp. -
Both 2. Allemande and 3. Corrente
Originally in a minor, transposed here to d. Includes an introductory commentary.
Recorder & Keyboard part, 6+2 pp. -
Sinfonia from Partita No. 2, BWV 826
Recorder & Keyboard part, 6+2 pp. -
String Quartet Op. 33 No. 2 “Joke” Finale
Recorder & Keyboard part, 6+2 pp. -
Duet, “Zweig’ und Aeste zollen dir,” from Cantata 205
Recorder & Keyboard part, 6+2 pp. -
3rd mvmt.
Originally in C major, transposed here to F.
Recorder & Keyboard part, 6+2 pp. -
Fugue from Suite for Harpsichord HWV 429
First movement in the suite. Originally in e minor, transposed here to a.
Recorder & Keyboard part, 6+2 pp. -
Aria “Ich traue seiner Gnaden” from Cantata 97
Recorder & Keyboard part, 6+2 pp. -
Aria, “Gott, bei deinem starken Schützen,” from Cantata 14
Recorder & Keyboard part, 6+2 pp. -
Bach aria, “Zerschmettert mich ihr Felsen und ihr Hügel,” from an early version of the *St. John Passion*, BWV 245
Recorder & Keyboard part, 6+2 pp. -
Aria, “Mein gläubiges Herze,” from Cantata 68
Recorder & Keyboard part, 6+2 pp.