4 pp.
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StLouisRag
4 pp. -
Cantata 4.4
4 pp. -
3rd Mvmt. Both Recorder part options
Originally in f minor, transposed here to a. Thought to have been based on a lost violin concerto. Recorder plays main theme in tutti sections. Includes optional cadenza in 3rd mvmt. Optional low “E” in 1st mvmt. Included are optional recorder parts for voice flute switching to alto in both the 1st and 3rd mvmts. Minor revisions 12.8.14.
4 pp. -
St.-Georges Op 2#1 1st Mvt.
4 pp. -
“Tyrolienne turque,” from *Croquis et Agaceries d’un Gros Bonhomme en Bois*, for alto doubling tenor (or soprano)
4 pp. -
TurpinBuffaloRag
4 pp. -
HandelOp6#8Allemande
4 pp. -
Concerto for Clarinet and Orchestra, K. 622, 3rd mvmt.
Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.
Recorder part, 4 pp. -
St.-Georges Op 11#1Rec. Pts.
4 pp. -
Aria, “Schafe können sicher weiden” (Sheep May Safely Graze) from Cantata 208, arr. for two soprano recorders & keyboard
4 pp. -
Handel HWV 609
4 pp. -
EliteSyncopations
4 pp. -
Fugue No. 7, BWV 852/2
Originally in Eb major, transposed here to Bb.
4 pp. -
StGeorgesOpPost3RecPts
4 pp. -
Nocturne originally for Violin/Flute and Piano
No. 1 from 2 Pieces, in original key of F major.
Recorder & Keyboard part, 4 pp.