3 pp.
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Showing 49–64 of 95 results
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Recorder part with cue staff
NOTA BENE: The recorder part has a short score with it to allow for optimum co?rdination and cuing (See recorder part incipit below).
The famous and often-excerpted fourth movement, arranged here at original pitch. The middle section lies significantly higher than the first section, so the alto recorder works far better there, and there is a good place to allow time for the switch. The last section can be played by either bass or alto. Theodor Adorno said, [Mahler had] ?the desire to fill the empty flows of time with meaning, to transform it into a permanence full of joy. That fulfilment?has found its true home in Mahler?s?symphonies.? (1) The original dynamics, slurs and articulations are indicated, but of course there is a limit to how faithfully a recorder can perform them, especially the dynamics. They are included mainly so that the composer’s original intent is transmitted, and the best possible recorderistic solution found. A page of translations from the German is included.
(1) Quasi una Fantasia, p. 893 pp. -
6th cello allemande & courante
3 pp. -
Goldberg17
3 pp. -
“D’un vieux jardin”, No. 1 from Trois Morceaux
Originally for piano solo in c# minor, transposed here to c minor.
Recorder & Keyboard part, 3 pp. -
Two movements from English Suite No. 3
3 pp. -
Scarlatti K. 159
3 pp. -
1st Mvmt.
Originally in G major, transposed here to F.
Recorder part, 3 pp. -
Mozart K241
3 pp. -
StGeorgesOpPost4RecPts
3 pp. -
Overture to *Cosi fan tutte* K. 588
Originally for orchestra in C major, untransposed here.
Recorder part, 3 pp. -
Mahler Symphony 2.2
3 pp. -
Goldberg16
3 pp. -
English Suite #1 Bourree I & II in G
3 pp. -
Three *Kleine Præludien* for recorder duet
3 pp. -
1st Mvmt.
Allegro and Menuetto & Trio, originally in g minor, transposed here to c (Trio in G major transposed to C). First movement contains easier options for a pair of difficult 16th-note runs in parallel 4-bar passages in the exposition and recapitulation.
Recorder part, 3 pp. -
It’s 7-2 Time for Recorder & Keyboard
3 pp.