3 pp.
from:
Showing 1–16 of 95 results
-
BWV 1008, Prelude and Gigue Rec. Pts.
3 pp. -
Scarlatti K. 322
3 pp. -
St.-Georges Op. 1.6 Rec. Pts.
3 pp. -
-3
3 pp. -
vvv
3 pp. -
Bk1Prélude20
3 pp. -
-3
3 pp. -
Testing123
3 pp. -
BWV 646
3 pp. -
Præludium from Suite No. 5, BWV 1011 for Solo Recorder
Recorder part, 3 pp. -
Scarlatti K. 1
3 pp. -
mmm
3 pp. -
Recorder part with cue staff
NOTA BENE: The recorder part has a short score with it to allow for optimum co?rdination and cuing (See recorder part incipit below).
The famous and often-excerpted fourth movement, arranged here at original pitch. The middle section lies significantly higher than the first section, so the alto recorder works far better there, and there is a good place to allow time for the switch. The last section can be played by either bass or alto. Theodor Adorno said, [Mahler had] ?the desire to fill the empty flows of time with meaning, to transform it into a permanence full of joy. That fulfilment?has found its true home in Mahler?s?symphonies.? (1) The original dynamics, slurs and articulations are indicated, but of course there is a limit to how faithfully a recorder can perform them, especially the dynamics. They are included mainly so that the composer’s original intent is transmitted, and the best possible recorderistic solution found. A page of translations from the German is included.
(1) Quasi una Fantasia, p. 893 pp. -
6th cello allemande & courante
3 pp. -
Goldberg17
3 pp. -
“D’un vieux jardin”, No. 1 from Trois Morceaux
Originally for piano solo in c# minor, transposed here to c minor.
Recorder & Keyboard part, 3 pp.