2 pp.
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Showing 17–32 of 192 results
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K. 320 Recorder duet
2 pp. -
Mozart K. 370.1 Rec. pt.
2 pp. -
Aria
20th number in this, the “Peasant” Cantata. Originally for bass, violin, and continuo in A major, transposed here to F. This aria is a parody of an aria, number seven from Cantata 201, “Zu Tanze, zu Sprunge,” which was also used in the transcription. Both arias have a “B” section which is omitted in this transcription. Title means, “May you ever prosper.”
Recorder part, 2 pp. -
2nd Mvmt.
Originally in C major, transposed here to F. Soprano recorder (with a more difficult option for Alto) is called for at the beginning of both the 1st and 2nd movements, with plenty of time to switch to Alto early on. There are easier and harder versions and these differ in only one section of the first movement. Thus, if one wants to save paper but wants both easier and hard versions, note that the only difference occurs in p. 5 of the score, and on p. 2 of the 1st movement’s recorder part. Significant revisions made October 27, 2016.
Recorder part, 2 pp. -
Full range for soprano part
2 pp. -
Version for alto & bass recorders
Duet, 2 pp. -
Mahler8ExcerptDownAMajor3rd
2 pp. -
Allor che ignuda
2 pp. -
2nd Mvmt.
Originally in A major, transposed here to F. Thought to have been based on a lost concerto for oboe d’amore. In almost all cases, recorder plays main theme in tutti sections.
Recorder part, 2 pp. -
Aria
Fourth number in the cantata. Originally in e minor, transposed here to g, written for alto, flute, and basso continuo. Title means, “Deluded world!”
Recorder part, 2 pp. -
Aria,
Fifth number in this oratorio. Originally for soprano, flute/violin, bassoon and continuo, in b minor transposed here to d. Title means, “O my soul, your spices should no more be myrrh”.
Recorder part, 2 pp. -
2nd Mvmt., Largo
Originally in Eb major, transposed here to F.
2 pp. -
Eight tunes from *The Bird Fancyer’s Delight* arr. for soprano & alto recorders
2 pp. -
TESTING54321.pdf
2 pp. -
1st Mvmt.
Originally in G major, transposed here to Bb.
Recorder part, 2 pp. -
2nd mvmt.
Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?
Recorder part, 2 pp.