2 pp.
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Bach Tempo di Borea & Double from Partita No. 1 BWV 1002
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2 pp. -
“Ritual Fire Dance” Rec. Pt.
2 pp. -
Both Recorder Parts
Originally in A major, transposed here to C.
2 pp. -
Sonata K. 55, L. 335
Originally for solo keyboard in G major, transposed here to C.
Recorder part, 2 pp. -
Prelude No. 24
Originally in b minor, transposed here to c.
Recorder part, 2 pp. -
3rd Mvmt., Alla breve
Originally in G major, transposed here to Bb.
2 pp. -
Theme & Variations from the Octet, D. 803
2 pp. -
St.-Georges Op 13#2
2 pp. -
Aria
This is an exceptional piece from the baroque period on this site in that it goes above c6 to g6 in the keyboard part. The fourth number in the cantata, it is originally for tenor, 2 violins concertante and continuo in a minor, transposed here to c. Because of the pervasive triplets, I believe the duple music should be assimilated to the triplets, and have lined it up that way. However, it may also be played as written. Title means, “The Father’s voice let itself be heard.”
Recorder part, 2 pp. -
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Full range of alto for upper part
2 pp. -
-2
2 pp. -
G minor test
ABC Originally in c# minor, transposed here to g.
2 pp. -
Biber “Mystery” Sonata No. 9
2 pp.