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Showing 1–16 of 192 results

  • Prelude

    Originally in C# major, transposed here to F.

    Recorder & Keyboard part, 2 pp.
    $2.00
  • Both 2. Allemande and 3. Corrente

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder part, 2 pp.
    $0.50
  • Fugue

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder part, 2 pp.
    $0.50
  • Gymnopédie No. 1

    There is no separate recorder part, since both players can usually read from the same score. (If this is unworkable, another score must be printed out.) Originally for piano solo. This arrangement at original pitch. The 1st and 3rd Gymnop?dies call for tenor recorder, the 2nd for alto. Since the guitar part of the 2nd is more difficult than the others, Nos. 1 and 3 may be performed alone, or rather perhaps in the order of the famous Debussy arrangement for orchestra, 3 followed by 1.

    2 pp.
    $0.50
  • (Harder) version at original pitch

    2 pp.
    $0.50
  • ChabrierPaysageRecPtInC

    2 pp.
    $0.50
  • 3rd Mvmt.

    Originally in d minor, transposed here to g.

    Recorder part, 2 pp.
    $0.50
  • Duet

    Fifth and final number in the cantata. Originally for soprano, bass, 2 oboes, strings, and basso continuo, transposed here from C major to F. Title means, “I have before me a hard journey.”

    Recorder part, 2 pp.
    $0.50
  • Excerpt from Piano Sonata D. 958 4th mvmt. arr. for soprano & tenor

    Mm. 113-212, the 2nd theme, plus a 1-bar ending. Transposed into keys a minor 2nd higher (there are three changes in key signature over the 100 bars). NB: we also offer another duet version for alto/bass, and recorder-keyboard versions for alto or bass.

    2 pp.
    $0.50
  • F minor version

    Originally in c# minor, transposed here to g.

    2 pp.
    $0.50
  • Canzona from Wawona for Recorder Trio

    1. ?In Stile Antico e Moderno? for SAB recorders. A short piece adapting the rhythmic and cadential procedures of the late 14th century (or so) to modern times. 2. ?Canzona from Wawona,? for ATB recorders. A two-page piece of reasonably high difficulty, depending on choice of tempo (which is wide). 3. ?It’s Seven-two Time,? for AAB recorders, five pages plus a set of parts, in a style owing a lot to Bartok & especially to Nancarrow. 4. ?Wiskidy? for AAB recorders, the second alto doubling on Sopranino, with jazz in?gal eighth notes, also not easy and including 3rd-octave F#’s, B’s & C’s for the altos. 5. A reprise of ?In Stile Antico e Moderno,? but transposed down a fourth for alto, tenor, and great bass. If the ensemble lacks a great bass, the set could leave out this last piece.

    2 pp.
    $0.50
  • “Forlane” Rec Pt.

    2 pp.
    $0.50
  • 2nd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder part, 2 pp.
    $0.50
  • Fantasie BWV 572 3rd Section

    Recorder part, 2 pp.
    $0.50
  • Radetzky March, for alto—doubling C instrument—and bass recorders

    Originally in D major, transposed here to C. There is a shift to C instrument between the march and the trio. This is the show-stopping New Year’s Eve in Vienna warhorse, preferably including audience clapping during the main theme.

    2 pp.
    $0.50
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