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Showing 113–128 of 138 results

  • Gnossienne 3

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50

  • Fugue

    Originally in C# major, transposed here to F.

    Recorder part, 1 pp.
    $1.00

  • 3-part Invention No. 15

    Originally in b minor, transposed here to g.

    Recorder part, 1 pp.
    $0.50

  • Gavotte I & II

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder part, 1 pp.
    $0.50

  • “Son Binocle,” from *Les trois valses distinguées du précieux dégoûté*, for bass recorder (or alto) in two different versions.

    Originally for solo piano. Title means “His pince-nez,” from Three distinguished waltzes of the fastidious affected one. Alternate version takes the music down a major 3rd.

    Recorder part, 1 pp.
    $0.50

  • C.SchumannScherzoRecPt

    1 pp.
    $0.50

  • Allemande from Suite No. 4, BWV 1010

    Originally in Eb major, transposed here to F. The keyboard parts have newly composed bass lines. Slurs are added, but due to their lack of clarity in the earliest and most important source, they should not be taken overly seriously.

    Recorder part, 1 pp.
    $0.50

  • Fugue No. 15—version in C

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50

  • 3rd Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50

  • 2nd Mvmt., Cantabile

    Originally in G major, transposed here to Bb.

    1 pp.
    $0.50

  • Allemande

    Originally in G major, transposed here to C.

    Recorder part, 1 pp.
    $0.50

  • Fugue

    Originally in C# major, transposed here to F.

    Recorder part, 1 pp.
    $0.50

  • 2nd mvmt.

    Originally in C major, transposed here to F.

    Recorder part, 1 pp.
    $0.50

  • Gnossienne 1

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50

  • Original pitch, Ten./Sop. Recorder

    Originally for four-part viol consort. Two choices: 1) at original pitch for tenor (or [up an 8ve] soprano), 2) transposed up a 4th/down a fifth for alto. Minor revisions made Aug. 22, 2014.

    Recorder part, 1 pp.
    $0.50

  • 2-part Invention No. 14

    Originally in Bb major, transposed here to F.

    Recorder part, 1 pp.
    $0.50
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