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Showing 97–112 of 138 results

  • Pastorale

    The finale from the concerto grosso. Originally for concertino and ripieno strings, transposed here from G major to C. Note that we also offer a version for soprano and alto recorders within the item ?24 Duets from Medi?val to Mahler? in the Recorder Duets section. Revised August 6, 2016.

    Recorder part, 1 pp.
    $0.50

  • Prelude No. 15—version in Bb

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50

  • 4th Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50

  • 4th Mvmt., Gigue

    Originally in G major, transposed here to Bb.

    1 pp.
    $0.50

  • Chorale Prelude, \"O Mensch, bewein\’ dein\’ Sünde gross,\" BWV 622

    Originally in Eb major, transposed here to Bb. Title means: “O people, weep over your great sin.”

    Recorder part, 1 pp.
    $0.50

  • Gigue

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder part, 1 pp.
    $0.50

  • 3rd Mvmt.

    Originally in Eb major, transposed here to F.

    Recorder part, 1 pp.
    $0.50

  • Gnossienne 2

    Written in 1890 for piano solo. Transposed here up a 4th.

    Recorder part, 1 pp.
    $0.50

  • Transposed for Alto Recorder

    Originally for four-part viol consort. Two choices: 1) at original pitch for tenor (or [up an 8ve] soprano), 2) transposed up a 4th/down a fifth for alto. Minor revisions made Aug. 22, 2014.

    Recorder part, 1 pp.
    $0.50

  • 2-part Invention No. 4

    Originally in d minor, transposed here to g.

    Recorder part, 1 pp.
    $0.50

  • Sarabande

    Originally in Bb major, transposed here to F.

    Recorder part, 1 pp.
    $0.50

  • *Sonnerie pour réveiller le bon gros Roi des Singes (lequel qui ne dort toujours que d’un œil)*, arr. for two alto recorders

    Duet, 1 pp.
    $0.50

  • 5thCelloSuiteSarabandeRecPt

    1 pp.
    $0.50

  • Fugue No. 11

    Originally in F major, transposed here to C.

    Recorder part, 1 pp.
    $1.00

  • Fugue No. 15—version in Bb

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50

  • Fugue No. 7

    Originally in Eb major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
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