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Showing 49–64 of 138 results

  • Prelude

    Originally in D# minor, transposed here to a. Minor revision (adding a missing tie) 12.22.16.

    Recorder part, 1 pp.
    $0.50

  • 4. Gigue

    Originally in e minor, transposed here to g.

    Recorder part, 1 pp.
    $0.50

  • Mussorgsky “Tuileries” for alto & bass

    Duet, 1 pp.
    $0.50

  • “Pastorale” from the “Christmas” Concerto, Op. 6, No. 8

    Recorder part, 1 pp.
    $0.50

  • Concerto for Clarinet and Orchestra, K. 622, 2nd mvmt.

    Recorder parts only. Using different recorders, all 3 movements can sound at original pitch, which can then be played with an orchestral reduction (e. g. by B?renreiter). The 1st and 3rd mvmts. require 4th flute @415, the 3rd mvmt. switching to soprano @440 for a short time. The 2nd mvmt. is for tenor or soprano @440. Alternate versions are sometimes given, including suggested embellishment of fermatas. Minor revision made 8.6.12. Significant revision of 2nd mvmt.?making it more recorderistic?done 10.9.12. Note that we now offer a version for alto and full keyboard accompaniment transposed to F major in the Recorder & Keyboard section.

    Recorder part, 1 pp.
    $0.50

  • For Alto Recorder

    1 pp.
    $0.50

  • 2-part Invention No. 12

    Originally in A major, transposed here to F.

    Recorder part, 1 pp.
    $0.50

  • "Deposuit potentes"—f minor version

    Eighth number in the Magnificat. Originally in f# minor, transposed here to f. The title means, “He has put down the mighty, and he has exalted the humble.” See also the version in d minor, which in all candor is a good deal more idiomatic. The present version is included as an etude for a key which of course does occur in the classical recorder repertoire, though rarely.

    Recorder part, 1 pp.
    $0.50

  • -1-Duet

    Duet, 1 pp.
    $0.50

  • Test

    In original key of g minor. Thought to be based on a lost violin concerto. Note that the recorder parts for all three movements are available in the ?Pieces for solo recorder, keyboard part in preparation? section.

    Recorder part, 1 pp.
    $0.00

  • 2nd Mvmt.

    Originally in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50

  • Duet

    Third number in the cantata. Originally for soprano, bass, oboe, and basso continuo, transposed here from a minor to d. Check out the amazing deceptive cadences. Choice of versions depending on your preference for 1- or 2-page recorder parts. Title means, “God, You have it well disposed.”

    Recorder part, 1 pp.
    $0.50

  • 1st Mvmt.

    Originally in G major, transposed here to C. If played on tenor or soprano, with F fingering, will be in the same key as original continuo part. (Our keyboard part, when done, will be in C major, to work with recorder part played by alto.) N.B.: This is the original of which BWV 1038 (q. v.) for flute, violin and continuo is an arrangement?possibly not by Bach. As for the present work, doubt exists about where the bass part originated.

    Recorder part, 1 pp.
    $0.50

  • 2nd Mvmt., Lamento

    Originally in G major, transposed here to F.

    1 pp.
    $0.50

  • Chorale Prélude, \"Wenn wir in höchsten Nöthen sein,\" BWV 641

    Originally in G major, transposed here to C. Title means: “When we are in the most urgent peril.”

    Recorder part, 1 pp.
    $0.50
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