1 pp.
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Showing 17–32 of 138 results
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2nd Mvmt.
Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?
Recorder part, 1 pp. -
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Bourrée I & II—c minor version
Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.
Recorder part, 1 pp. -
Recorder parts for both
“See, mine own Sweet Jewel” and, from A Plaine and Easie Introduction to Practicall Musicke, “Aria”, also known as ?O fly not, love.? Both Canzonets are in G mixolydian in the original, transposed here to C mixolydian.
1 pp. -
For Tenor or Soprano Recorder
1 pp. -
3rd Mvmt.
Originally in Eb major, transposed here to G.
Recorder part, 1 pp. -
Both 5. Burlesca and 6. Scherzo
Originally in a minor, transposed here to d. Includes an introductory commentary.
Recorder part, 1 pp. -
2. Adagio ma non troppo
Originally in e minor, transposed here to g.
Recorder part, 1 pp. -
Two duets from *Scherzi Musicali* for soprano & alto recorders
Duet, 1 pp. -
“Pastorale” from the “Christmas” Concerto, Op. 6, No. 8
Recorder part, 1 pp. -
2nd mvmt.
Originally in c minor, transposed here to g. Revised Dec. 12, 2016.
Recorder part, 1 pp. -
Prelude No. 22
Originally in Bb minor, transposed here to d.
Recorder part, 1 pp. -
1st Mvmt.
Originally for double flutes, double oboes da caccia, soprano and continuo, in f dorian, transposed here to a dorian. Title means ?Release, O my heart, your torrents of crying.?
1 pp. -
Prelude No. 19
Originally in A major, transposed here to C.
Recorder part, 1 pp. -
2nd Mvmt.
Originally in f minor, transposed here to a. Thought to have been based on a lost violin concerto. Recorder plays main theme in tutti sections. Includes optional cadenza in 3rd mvmt. Optional low “E” in 1st mvmt. Included are optional recorder parts for voice flute switching to alto in both the 1st and 3rd mvmts. Minor revisions 12.8.14.
Recorder part, 1 pp. -
Gigue—c minor version
Originally in a minor, transposed here to c. Note that these same four movements are also available in the catalogue in the key of d.
Recorder part, 1 pp.