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Showing 1–16 of 138 results

  • Fugue No. 11

    Originally in F major, transposed here to C.

    Recorder part, 1 pp.
    $1.00
  • Fugue No. 15—version in Bb

    Originally in G major, transposed here to C, with another version in Bb. If one has an alto @ 392, it is possible to mix and match. My opinion is that the recorder part for the prelude is more doable in Bb, and that the part for the fugue is easier in C. Thus one could use a version all in Bb, but using the alto @ 392 to play the fugue, playing from the C major recorder part, but sounding in Bb.

    Recorder part, 1 pp.
    $0.50
  • Fugue No. 7

    Originally in Eb major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • Allemande from Partita No. 5 BWV 829

    Originally in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • Prelude

    Originally in C# major, transposed here to F.

    Recorder part, 1 pp.
    $0.50
  • Double

    Originally for lute, for keyboard, or for both, or possibly for lute-harpsichord, in c minor, transposed here to d. The prelude is supplied with optional cadenzas at the two fermatas toward the end. It is possible to perform the last two dances in the order presented, or, as in the great recorded performance by guitarist Julian Bream, play the A section of the Double right after the A section of the Gigue, followed by the respective B sections. Slight revision May 6, 2014. Significant revision of Double Jan. 18, 2016, in which the keyboard now extends over the usual limit of C6 to E6.

    Recorder part, 1 pp.
    $0.50
  • Gigue

    Originally for keyboard in G major, transposed here to Bb.

    Recorder part, 1 pp.
    $0.50
  • Gnossienne No. 1

    Written in 1890 for piano solo. At original pitch here.

    Recorder part, 1 pp.
    $0.50
  • Commentary on BWV 1053

    Originally in E major, transposed here to Bb. Thought to have been based on a lost concerto for oboe. In almost all cases, recorder plays main theme in tutti sections. The 1st movement includes an optional cadenza right before the da capo.

    1 pp.
    $0.00
  • Polonaise

    Originally for concertino and ripieno strings, in G major?we offer a choice of original pitch or in F major. Due to its restricted range, the latter, in particular, may be played on a Renaissance alto. See the note under the Trio from Brandenburg Concerto No. 1. Note that we also feature a version for recorder duet as part of “24 Duets”.

    Recorder part, 1 pp.
    $0.50
  • Menuet I and II

    Originally in Bb major, transposed here to F

    Recorder part, 1 pp.
    $0.50
  • Prelude and Fugue BWV 558

    Originally in g minor, transposed here to c. After the early attribution to Bach, considerable doubt has arisen among scholars that he composed this and its companions among the “Eight Short Preludes and Fugues,” BWV 553-560. But there is no consensus on the true composer.

    Recorder part, 1 pp.
    $0.50
  • CmCelloSarabandeRecPt

    1 pp.
    $0.50
  • Aria, Bete aber auch dabei from Cantata 115

    Fourth number from the cantata. Originally for soprano, flute, violoncello piccolo, and continuo in b minor, transposed here to d. Title means “Pray though even now as well.”

    Recorder part, 1 pp.
    $1.00
  • Prelude No. 10

    Originally in e minor, transposed here to a.

    Recorder part, 1 pp.
    $0.50
  • Two Canzonets by Thomas Morley

    “See mine own Sweet Jewel”, and “Aria a 3 Voices”. Both originally in G Mixolydian, transposed here to C Mixolydian.

    Recorder part, 1 pp.
    $0.50
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