Catalog

• J.S. Bach - Concertos - for 1 Keyboard/Violin
• Solo recorder parts for all the items in the Concerto categories. (Not necessary if you get the versions with keyboard.)
• Concerto No. 1, BWV 1052, Adagio
• Concerto No. 2, BWV 1053
• Concerto No. 3, BWV 1054
• Concerto No. 4, BWV 1055
• Concerto No. 5, BWV 1056
• Concerto No. 7, BWV 1058
• Concerto, BWV 1059

• J.S. Bach - Concertos - for 2+ Keyboards/Violins
• Concerto for 2 Violins, BWV 1043
• Concerto No. 1 for 2 Harpsichords, BWV 1060, 3rd Mvt.
• Concerto No. 2 for 2 Harpsichords, BWV 1061
• Concerto No. 2 for 3 Harpsichords, BWV 1064

• J.S. Bach - Brandenburg Concertos & Orchestral Suites
• Trio from Brandenburg Concerto No. 1, BWV 1046
• Trio from Brandenburg Concerto No. 1, BWV 1046, arr. for tenor or soprano recorder & keyboard
• Brandenburg Concerto No. 2, BWV 1047
• Brandenburg Concerto No. 3, BWV 1048, with added middle-movement choices
• Brandenburg Concerto No. 4, BWV 1049, for Alto in F or G
• Orchestral Suite No. 2, BWV 1067

• J. S. Bach - Organ Music - Trio Sonatas
• Solo recorder parts for all the items in the Organ categories. (Not necessary if you get the versions with keyboard.)
• Trio Sonata No. 1, BWV 525
• Trio Sonata No. 2, BWV 526
• Trio Sonata No. 3, BWV 527
• NB: A good arr. of Trio Sonata #4 by Bärenreiter exists. But if you’d still like such an arr. from VGRT (as with other such cases that fit our mission), please contact us.
• Trio Sonata No. 5, BWV 529
• Trio Sonata No. 6, BWV 530

• J.S. Bach - Organ Music - Orgelbüchlein
• Chorale Prelude, “Das alte Jahr vergangen ist,” BWV 614
• Chorale Prelude, “In dir ist Freude,” BWV 615
• Chorale Prelude, “Herr Gott, nun schleuss den Himmel auf,” BWV 617, arr. for alto or bass recorder & keyboard
• Chorale Prelude, “O Mensch, bewein’ dein’ Sünde gross,” BWV 622
• Chorale Prélude, “Ich ruf’ zu dir,” BWV 639, arr. for bass recorder & keyboard
• Chorale Prélude, “Wenn wir in höchsten Nöthen sein,” BWV 641

• J.S. Bach - Organ Music - Miscellaneous
• Præludium & Fugue, BWV 534
• Prelude from BWV 536
• “Dorian” Toccata, BWV 538 transposed to c dorian
• “Dorian” Toccata, BWV 538 transposed to a dorian
• Fugue from BWV 539
• Toccata from BWV 540
• Prelude and Fugue, BWV 541
• Fantasia and Fugue, BWV 542
• Prélude & Fugue, BWV 543
• Prélude from BWV 544
• Fugue from BWV 547
• Prelude from BWV 548 (“Wedge”)
• “St. Anne” Prélude, BWV 552
• Prélude and Fugue, BWV 553
• Prélude and Fugue, BWV 553, arr. for tenor or soprano recorder & keyboard
• Prélude and Fugue, BWV 556
• Prélude and Fugue, BWV 558
• Prélude and Fugue, BWV 558, arr. for tenor or soprano recorder & keyboard
• Toccata, Adagio, and Fugue, BWV 564
• Toccata, BWV 565
• Toccata, BWV 566
• Passacaglia and Fugue, BWV 582
• Chorale Prélude, Wachet auf, ruft uns die Stimme, BWV 645
• Chorale Prélude, Wo soll ich fliehen hin, or Auf meinen lieben Gott, BWV 646, arr. for bass recorder (or alto) & keyboard
• Chorale Prelude, Ach bleib’ bei uns, Herr Jesu Christ, BWV 649
• Chorale Prélude, Kommst du nun, Jesu, vom Himmel herunter, BWV 650
• Chorale Fantasia super Komm, heiliger Geist, BWV 651
• Chorale Prélude, Herr Jesu Christ, dich zu uns wend, BWV 655
• Chorale Prélude, Nun komm‘ der Heiden Heiland, BWV 659
• Two settings of Allein Gott in der Höh sei Ehr, BWV 663 & 664
• Chorale Prélude, Vor deinen Thron, tret’ ich, BWV 668, arr. for bass recorder and keyboard
• Chorale Prélude Allein Gott in der Hoh’ sei Ehr’, BWV 676
• Fughetta super: Allein Gott in der Hoh’ sei Ehr’, BWV 677
• Chorale Prélude, Diess sind die heil’gen zehn Gebot’, BWV 678
• Fughetta super: Diess sind die heil’gen zehn Gebot’, BWV 679
• Chorale Prélude, Nun freut euch, lieben Christen g’mein, BWV 734

• J.S. Bach - Keyboard Music - Well-tempered Clavier I
• Solo recorder parts for all music in the Well-tempered Clavier and Keyboard Partita categories. (Not necessary if you get the versions with keyboard.)
• Prélude and Fugue No. 3, BWV 848
• Fugue No. 7, BWV 852/2
• Prélude and Fugue No. 8, BWV 853
• Prélude No. 9, BWV 854/1
• Prélude and Fugue No. 10, BWV 855
• Prélude and Fugue No. 13, BWV 858
• Prélude No. 14, BWV 859/1
• Prélude and Fugue No. 15, BWV 860
• Prélude No. 17, BWV 863/1
• Prélude and Fugue No. 19, BWV 864
• Prélude No. 20, BWV 865/1

• J.S. Bach - Keyboard Music - Well-tempered Clavier II
• Prélude No. 1, BWV 870/1
• Prélude and Fugue No. 2, BWV 871
• Prélude and Fugue No. 3, BWV 872
• Fugue No. 4, BWV 873/2
• Prélude and Fugue No. 6, BWV 875
• Prélude and Fugue No. 8, BWV 877
• Prélude and Fugue No. 9, BWV 878
• Prélude and Fugue No. 11, BWV 880
• Prélude and Fugue No. 12, BWV 881
• Prélude No. 13, BWV 882/1
• Prélude No. 14, BWV 883/1
• Prélude and Fugue No. 15, BWV 884
• Prélude No. 17, BWV 886/1
• Prélude No. 18, BWV 887/1
• Prélude and Fugue No. 20, BWV 889
• Prélude and Fugue No. 22, BWV 891
• Prélude and Fugue No. 23, BWV 892
• Prélude and Fugue No. 24, BWV 893

• J.S. Bach - Keyboard Music - Partitas
• Sarabande from Partita No. 1, BWV 825
• Menuet I & II from Partita No. 1, BWV 825
• Sinfonia from Partita No. 2, BWV 826
• Rondeaux from Partita No. 2, BWV 826
• Capriccio from Partita No. 2, BWV 826
• Partita No. 3 Complete, BWV 827
• First three Mvts. from Partita No. 5, BWV 829

• J.S. Bach - Keyboard Music - English Suites
• Solo Recorder Parts from the English Suites, Goldberg Variations, Misc. Keyboard, and Art of Fugue sections (not necessary if you get the versions with keyboard)
• Bourrée I & II from English Suite No. 1, BWV 806
• Four Mvmts. from English Suite No. 2, BWV 807, transposed to d
• Four Mvmts. from English Suite No. 2, BWV 807, transposed to c
• Prélude & Gigue from English Suite No. 3, BWV 808
• Gavotte I & II from English Suite No. 3, BWV 808
• Four Mvmts. from English Suite No. 5, BWV 810
• English Suite No. 6, BWV 811

• J.S. Bach - Keyboard Music - Goldberg Variations
• The Aria and Ten Variations
• The Aria
• Variation 1
• Variations 5 & 7
• Variation 13
• Variation 16
• Variation 17
• Variation 25
• Variation 26
• Variation 27
• Variation 28

• J.S. Bach - Keyboard Music - Miscellaneous
• 2-part Invention No. 1 and 1A, BWV 772 & 772A
• 2-part Invention No. 4, BWV 775
• 2-part Invention No. 8, BWV 779
• 2-part Invention No. 12, BWV 783
• 2-part Invention No. 13, BWV 784
• 2-part Invention No. 14, BWV 785
• 3-part Invention No. 8, BWV 794
• 3-part Invention No. 9, BWV 795
• 3-part Invention No. 12, BWV 798
• 3-part Invention No. 14, BWV 800
• 3-part Invention No. 15, BWV 801
• Allemande from French Suite No. 1, BWV 812
• Three mvts. from French Suite No. 2, BWV 813
• French Suite No. 3, BWV 814 complete
• French Suite No. 5, BWV 816 complete
• Four Movements from French Suite No. 6, BWV 817
• Suite, BWV 819
• Præludium & Fugue, BWV 894
• Præludium from BWV 902
• Fantasia & Fugue (Unfinished), provided with a suggested ending, BWV 906
• Fantasia & Fugue, BWV 906, with a completion by F. Busoni
• Prelude, BWV 934
• Fugue on a theme by Albinoni, BWV 951
• Italian Concerto, BWV 971
• Concerto after Alessandro Marcello, BWV 974
• Three-part Ricercare from Musical Offering, BWV 1079

• J.S. Bach - Art of the Fugue
• Contrapunctus 2
• Contrapunctus 6
• Contrapunctus 8
• Contrapunctus 9
• Contrapunctus 13, Rectus
• Contrapunctus 13, Inversus
• All Four Canons from the Art of the Fugue
• Augmentation Canon in Contrary Motion
• Canon at the Octave
• Canon at the 10th
• Canon at the 12th

• J.S. Bach - Chamber Music - Suites for Cello Solo
• Solo recorder parts for the Solo strings and Lute Music categories. (Not necessary if you get the versions with keyboard.)
• Complete Suite No. 1, BWV 1007, choice of two different keys
• Complete Suite No. 2, BWV 1008
• Complete Suite No. 3, BWV 1009, transposed to F major
• Complete Suite No. 3, BWV 1009, in original key of C, for tenor or soprano recorder, doubling alto
• Complete Suite No. 4, BWV 1010
• Gavotte I & II from Suite No. 5, BWV 1011
• Gavotte I & II from Suite No. 6, BWV 1012

• J.S. Bach - Chamber Music - Music for Violin Solo
• Partita No. 1, BWV 1002
• Fugue from Sonata No. 2, BWV 1003
• First Four Movements from Partita No. 2, BWV 1004
• Fugue from Sonata No. 3, BWV 1005
• Gavotte en Rondeau from Partita No. 3, BWV 1006

• J.S. Bach - Chamber Music - Music for Lute
• Prelude from Lute Suite, BWV 995 (also derived from BWV 1011)
• Suite, BWV 996
• Suite, BWV 997
• Prelude, BWV 999
• Gigue from Suite, BWV 1006a

• J.S. Bach - Chamber Music - Miscellaneous
• Solo recorder parts for the miscellaneous chamber music and miscellaneous vocal categories (not necessary if you get the versions with keyboard.)
• Sonata No. 2 for Violin & Keyboard, BWV 1015
• Sonata No. 5 for Violin & Keyboard, BWV 1018
• Sonata, BWV 1019a, 3rd Mvmt.
• Sonata, BWV 1021
• Sonata for Violin and Continuo, BWV 1023
• Sonata, BWV 1024
• Suite, BWV 1025
• Fugue, BWV 1026
• Sonata No. 3 for Viola da Gamba and Continuo, BWV 1029, transposed to d
• Sonata No. 3 for Viola da Gamba and Continuo, BWV 1029, transposed to c
• Trio Sonata, BWV 1038
• “Fuga canonica in Epidiapente”, from Musical Offering, BWV 1079
• Trio Sonata from Musical Offering, BWV 1079, Complete

• J.S. Bach - Cantatas
• Solo recorder parts from the Cantatas category (not necessary if you get the versions with keyboard.)
• Chorus, “Ach Gott, wie manches Herzeleid,” from Cantata 3
• Verse 3, “Jesus Christus, Gottes Sohn”, from Cantata 4
• Opening Chorus, “Christ unser Herr zum Jordan kam,” from Cantata 7
• Aria, “Merkt und hört ihr Menschenkinder,” from Cantata 7
• Aria, “Des Vaters Stimme ließ sich hören,” from Cantata 7
• Aria, “Doch weichet, ihr tollen,” from Cantata 8
• Opening Chorus, “Meine Seel’ erhebt den Herren,” from Cantata 10
• Aria, “Gewaltige, ößt Gott vom Stuhl,” from Cantata 10
• Aria, “Achzen und erbärmlich Weinen,” from Cantata 13, two versions
• Aria, “Unsre Stärke heist du schwach,” from Cantata 14
• Aria, “Gott, bei deinem starken Schützen,” from Cantata 14
• Sinfonia from Cantata 29, Wir danken dir, Gott, wir danken dir
• Duetto, “Nun verschwinden alle Plagen,” from Cantata 32
• Aria, “Woferne du den edlen Frieden,” from Cantata 41
• Aria, “Ja tausendmal Tausend begleiten,” from Cantata 43
• Aria, “Wer ein wahrer Christ will heissen,” from Cantata 47
• Cantata 51, Jauchzet Gott in allen Landen, now complete
• Aria, “Höchster, mache deine Güte ferner,” from Cantata 51, arr. for tenor or soprano recorder & keyboard
• Aria, “Höchster, mache deine Güte ferner,” from Cantata 51, arr. for bass recorder & keyboard
• Aria, “Endlich, endlich wird mein Joch,” from Cantata 56
• Aria, “Ich bin vergnügt in meinem Leiden,” from Cantata 58
• Chorale + aria, “Ich hab’ vor mir ein’ schwere Reis’,” from Cantata 58
• Duet, “Gott, du hast es wohl gefüget,” from Cantata 63
• Aria, “Friede sei mit euch,” from Cantata 67
• Aria, “Mein gläubiges Herze,” from Cantata 68
• Aria, “Wenn kommt der Tag,” from Cantata 70
• Aria, “Lass’ der Spötter,” from Cantata 70
• Opening Chorus, “Alles nur nach Gottes Willen,” from Cantata 72
• Aria, “Kommt! kommt! eilet! kommt,” from Cantata 74
• Opening Ritornel from Chorus, “Gott, der Herr, ist Sonn’ und Schild” from Cantata 79
• Aria, “Die schäumenden Wellen,” from Cantata 81
• Aria, “Seht, seht! wie reißt, wie bricht, wie fällt,” from Cantata 92
• Aria, “Bethörte Welt!,” from Cantata 94
• Aria, “Ich traue seiner Gnaden,” from Cantata 97
• Chorus, “Was Gott thut, das ist wohlgethan,” from Cantata 99/100
• Aria, “Erschütt’re dich nur nicht, verzagte Seele” , from Cantata 99
• Aria, “Was Gott thut, das ist wohlgetan,” from Cantata 100
• Opening, “Es ist euch gut, dass ich hin gehe,” from Cantata 108
• Aria, “Jesus nimmt die Sünder an,” from Cantata 113
• Aria, “Wo wird in diesem Jammerthale,” from Cantata 114
• Opening chorus, “Mache dich, mein Geist, bereit,” from Cantata 115
• Aria, “Bete aber auch dabei,” from Cantata 115
• Aria, “Heil und Segen,” from Cantata 120 (See BWV 1019a in the “Miscellaneous Chamber Music” section)
• Aria, “Christi Glieder, ach, bedenket,” from Cantata 132
• Duetto, “Ich lebe, mein Herze, zu deinem Ergötzen,” from Cantata 145
• “Ich säe meine Zähren mit bangem Herzen aus,” aria from Cantata 146
• Aria, “Stürmt nur, stürmt, ihr Trübsalswetter,” from Cantata 153
• Aria, “Ich halte meinen Jesum feste,” from Cantata 157
• Aria, “Ja, ja, ich halte Jesum feste,” from Cantata 157
• Aria with Chorale, “Welt, ade!”, from Cantata 158
• Aria, “Lass mein Herz die Münze sein,” from Cantata 163
• Aria, “Gott soll allein mein Herze haben,” from Cantata 169
• Aria, “Schweig’, schweig’, nur schweig’”, from Cantata 178
• Aria, “Weichet nur, betrübte Schatten,” from Cantata 202
• Æolus’s aria, “Wie will ich lustig lachen” from Cantata 205
• Pallas’s aria “Angenehmer Zephyrus” from Cantata 205 arr. for alto recorder, doubling tenor, & keyboard
• Duet, “Zweig’ und Aeste zollen dir,” from Cantata 205
• Sinfonia from Cantata 209, Non sa che sia dolore
• Aria, “Dein Wachsthum sei feste”, from Cantata 212

• J.S. Bach - Miscellaneous Vocal Works
• Aria, “Quoniam tu solus,” from Missa Brevis, BWV 233
• Aria, “Domine Deus” from Missa Brevis, BWV 234 for alto recorder doubling soprano or tenor
• Aria, “Deposuit potentes” from Magnificat, BWV 243, transposed to d
• Aria, “Deposuit potentes” from Magnificat, BWV 243, transposed to f
• Aria, “Gibt mir meinen Jesu wieder,” from the St. Matthew Passion, BWV 244
• Aria, “Aus Liebe,” from the St. Matthew Passion, BWV 244
• Aria, “Komm, süsses Kreuz”, from St. Matthew Passion, BWV 244
• Aria, “Ich folge dir gleichfalls,” from the St. John Passion, BWV 245, in two different keys
• Aria, “Erwäge, wie sein blutgefärbter Rücken” from St. John Passion, BWV 245
• Aria, “Zerschmettert mich ihr Felsen und ihr Hügel,” from an early version of the St. John Passion, BWV 245
• Terzetto, “Ach! wann wird die Zeit erscheinen, wann? ”from Christmas Oratorio, BWV 248, No. 5
• Aria, “Seele, deine Specereien sollen nicht mehr Myrrhen sein”, from the Easter Oratorio, BWV 249
• Aria, “Sanfte soll mein Todeskummer,” from the Easter Oratorio, BWV 249
• Aria, “Saget, saget mir geschwinde,” from the Easter Oratorio, BWV 249

• Various Composers
• Solo recorder parts from the non-J.S. Bach, pre-Mozart composer categories, Part 1, from Morley to C.P.E. Bach
• Four Scotch tunes from Calliope (1739) arr. for soprano recorder & keyboard

• Anonymous
• Eight tunes from The Bird Fancyer’s Delight, arr. for soprano recorder & keyboard

• T. Morley (1557-1603)
• Two Canzonets to Three Voices

• A. Ferrabosco II (1575-1628)
• Fantasia in Four Parts [on the hexachord] (Version also for tenor or soprano recorder)

• Francesca Caccini (1587-1641 or later)
• An Aria & a Motet from Il primo libro delle musiche a una e due voci (1618), arr. for tenor or soprano recorder

• Barbara Strozzi (1619-1677)
• Cantata, “Lagrime mie”, from Diporti di Euterpe, Op. 7, arr. for tenor or soprano recorder & keyboard
• Aria from the Cantata “Aure già che” from Arie a voce sola, Op. 8, arr. for tenor or soprano recorder & keyboard
• Cantata, “Che si puo fare” from Arie a voce sola, Op. 8, arr. for tenor or soprano recorder & keyboard

• A. Corelli (1653-1713)
• Pastorale from “Christmas” Concerto, Op. 6, No. 8, for alto recorder—doubling tenor—and keyboard

• Elisabeth Jacquet de la Guerre (1665-1729)
• Sonata No. 2 (1707)
• Sonata No. 5 (1707)

• English Country Dances (17th-18th cent.)
• Four English Country Dances, arr. for soprano recorder & keyboard
• Fourteen English Country Dances, arr. for soprano recorder & keyboard/guitar

• G. P. Telemann (1681-1767)
• Sonata (Duet) TWV 40:125
• Sonata (Duet) TWV 40:126
• Sonata for Flute & Fondamento TWV 41h:4

• G. F. Handel (1685-1759)
• Aria, “Voli per l’aria chi può volare,” from Tra le fiamme, H. 170
• Sonata, Op. 1 No. 12, HWV 370, 1st Mvmt., two versions
• Concerto Grosso, Op. 6 #3, 3rd mvt.
• Polonaise from Concerto Grosso, Op. 6, No. 3 (with choice of 2 different keys)
• Concerto Grosso, Op. 6, No. 6, 4th mvt.
• Allemande from Concerto Grosso, Op. 6, No. 8
• Sinfonia from Acis and Galatea
• “The Arrival of the Queen of Sheba,” from Solomon
• Fugue from Suite for Harpsichord, HWV 429
• Fugue No. 5, HWV 609, from Six Fugues or Voluntarys

• D. Scarlatti (1685-1757)
• Sonata K. 1, L. 366, P. 57
• Sonata K. 9, L. 413, P. 65
• Sonata K. 10, L. 370, P. 66
• Sonata, K. 18, L. 416, P. 74
• Sonata, K. 25, L. 481, P. 81
• Sonata K. 33, L. 424, P. 130
• Sonata K. 55, L. 335, P. 117
• Sonata, K. 71, L. 81, P. 17
• Sonata K. 72, L. 401, P. 1
• Sonata, K. 96, L. 465, P. 210
• Sonata, K. 105, L. 204, P. 90
• Sonata, K. 107, L. 474, P. 98, arr. for alto in G with optional switch to alto in F
• Toccata K. 141, L. 422, P. 271—really hard, medium hard, and easier versions
• Sonata, K. 159, L. 104, P. 418
• Sonata K. 182, L. 139, P. 207
• Sonata, K. 201, L. 129, P. 252
• Sonata K. 208, L. 238, P. 315
• Sonata, K. 299, L. 210, P. 268
• Sonata, K. 320, L. 341, P. 335
• Sonata, K. 322, L. 483, P. 360
• Sonata, K. 371, L. 17, P. 264
• Sonata, K. 380, L. 23, P. 483
• Sonata K. 466, L. 118, P. 501, played by alto either @ 440 or fingered a half step higher by one @415
• Sonata, K. 490, L. 206, P. 476
• Sonata, K. 517, L. 266, P. 517
• Sonata K. 531, L. 430, P. 535, for alto in G, with optional switch to alto in F
• Sonata K. 531, L. 430, P. 535, for alto in F, with optional switch to alto in Eb
• Sonata, K. 535, L. 262, P. 539
• Sonata, K. 545, L. 500, P. 549
• Sonata, K. 547, L. S28, P. 551, two different versions

• W. F. Bach (1710-1784)
• 1st Movement from Sonata, F. 6
• Duet Sonata (Concerto), F. 10, 1st mvt.
• Nos. 8, 4 & 3 from Twelve Polonaises, F. 12
• Duet No. 5, F. 58, 1st Mvt.
• Trio

• C. P. E. Bach (1714-1788)
• Andante from Sonata, H. 24, Wq. 48, No. 1
• Sonata, H. 37, Wq. 52, No. 4, 3rd Mvt.
• Sonata, H. 186, Wq. 55, No. 4
• Sonata, H. 208, Wq. 57, No. 4
• Sonata, H. 512, Wq. 76, 1st mvt.
• Sonata, H. 514, Wq. 78
• Sonata, H. 551, Wq. 124
• Sonata, H. 555, Wq. 128

• F. J. Haydn (1732-1809)
• Solo recorder parts from the non-Bach, pre-Mozart composer categories, Part 2: from Haydn to St.-Georges
• Symphony No. 45, “Farewell”, 1st Mvmt.
• Quartet, Op. 33 No. 2, “Joke,” Finale
• Quartet, Op. 33 No. 3, “Bird,” Finale
• The Minuets from Five Late Symphonies
• Quartet, Op. 77 No. 1

• Anna Amalia of Brunswick-Wolfenbüttel (1739–1807)
• Divertimento

• Marianne von Martinez (1744-1812)
• Sonata, Op. 4
• Sonata, Op. 5
• Sonata (1769), arr. for alto @415 doubling alto @440
• Overture to Isacco, 1st Mvt.

• J. B. Saint-Georges (1745-1799)
• Minuet from Sonata for Flute and Harp
• All six Op. 1 Quartets
• Quartet, Op. 1, No. 1, arr. for Alto doubling Tenor or Soprano
• Quartet, Op. 1, No. 2
• Quartet, Op. 1, No. 3
• Quartet, Op. 1, No. 4
• Quartet, Op. 1, No. 5
• Quartet, Op. 1, No. 6
• Sonata Op. 1a, No. 1
• Sonata Op. 1a, No. 2
• Sonata Op. 1a, No. 3
• Concerto, Op. 2, No. 1
• Concerto, Op. 2, No. 2
• Concerto, Op. 4, No. 1
• Concerto, Op. 5, No. 1
• Concerto, Op. 5, No. 2
• Concerto, Op. 7, No. 1
• Concerto, Op. 7, No. 2
• Sinfonia concertante, Op. 9, No. 1
• Sinfonia concertante, Op. 9, No. 2
• Sinfonia concertante, Op. 10, No. 1
• Symphony, Op. 11, No. 1
• Sinfonia concertante, Op. 13, No. 1
• Sinfonia concertante, Op. 13, No. 2
• “Ouverture” from L’Amant anonyme, 1st Mvmt.
• Duet, Op. Posthumous No. 2
• Duet, Op. Posthumous No. 6

• W. A. Mozart (1756-1791)
• Solo recorder parts from Early Mozart (not necessary if you get the versions with keyboard.)
• 12 Sonate da chiesa, plus one alternative version
• K. 15p, (No. 15) from the “London Sketchbook”
• Sonata K. 60, formerly attributed to Mozart, 2nd Mvmt.
• Sonata da Chiesa, K. 68
• Sonata da Chiesa, K. 144
• Symphony No. 29, K. 201, 4th Mvmt.
• “Alla Turca” episode from Violin Concerto K. 219, 3rd Mvt., two versions, one for tenor or soprano and one for alto
• Sonata da Chiesa, K. 225
• Concerto, K. 238, 1st mvt.
• Sonata da Chiesa, K. 241
• Sonata da Chiesa, K. 244
• Sonata da Chiesa, K. 245
• Finale, Adagio-Allegro assai, from “Haffner” Serenade, K. 250
• Trio/Divertimento K. 254, 1st Mvmt.
• Sonata da Chiesa, K. 263
• Sonata da Chiesa, K. 274
• Sonata da Chiesa, K. 278, two versions
• Sonata, K. 279
• Sonata, K. 281, in two different versions
• Sonata, K. 282, 3rd Mvmt.
• Sonata, K. 283, 3rd mvt.
• Quartet, K. 285
• Quartet, K. 285, 2nd Mvmt., for stand-alone performance
• Sonata, K. 296
• “Paris” Symphony, K. 297, Finale, for alto recorder, doubling soprano or tenor, & keyboard
• Four Sonatas, K. 302-305
• Sonata, K. 302
• Sonata, K. 303
• Sonata, K. 304
• Sonata, K. 305
• 2nd Mvt. from Sonata K. 311
• Concerto No. 1 for Flute & Orchestra, K.313
• Concerto No. 2 for Flute & Orchestra, K.314
• Sonata da Chiesa, K. 328
• Sonata da Chiesa, K. 329
• Sonata da Chiesa, K. 336
• Symphony No. 34, K. 338
• Solo recorder parts from middle & late Mozart, Beethoven, Vorisek, Rossini & Schubert (not necessary if you get the versions with keyboard.)
• Minuet, K. 355 & Eine kleine Gigue, K. 574
• Quartet, K. 370
• Sonata, K. 377
• Sonata, K. 379
• Duet, K. 381
• Rondo, K. 382
• Quartet, K. 387, 1st Mvmt.
• 1st Movement from Quartet, K. 428
• Sonata K. 481, arr. for alto in F doubling alto in G
• Overture to The Marriage of Figaro, K. 492
• Trio, K. 498, 2 versions
• Quintet, K. 516
• 1st movement from Sonata, K. 521
• Trio, K. 563, 1st Mvmt.
• Quintet, K. 581, 1st Mvmt.
• Overture to Cosi fan tutte, K. 588
• Overture to The Magic Flute, K. 620
• Overture to La Clemenza di Tito, K. 621
• Concerto for Clarinet & Orchestra, K. 622

• Marianne von Auenbrugger (1759-ca. 1782)
• Sonata

• L. van Beethoven (1770-1827)
• Menuetto from Symphony No. 1
• Scherzo from Sonata, Op. 2, No. 3
• Lento assai from String Quartet No. 16, Op. 135, for bass recorder, doubling alto, and keyboard

• J. V. Vorisek (1791-1825)
• Rhapsody for Piano, Op. 1, No. 9

• G. Rossini (1792-1868)
• Petite Caprice (Style Offenbach)

• F. P. Schubert (1797-1828)
• Gretchen am Spinnrade, D. 118, for tenor or soprano recorder & keyboard
• Piano Sonata, D. 571, fragment, with a new completion
• Sonata, D. 574, first mvt.
• Two Popular Pieces, choice of C instrument or alto versions
• No. 2 from Moments musicaux, D. 780, for tenor/soprano recorder & keyboard
• No. 5 from Moments musicaux, D. 780
• Adagio from Octet, D. 803
• “Scherzo” from Fantaisie for pf. 4-hands, D. 940
• Excerpt from “Lebenstürme”, D. 947 for pf. 4-hands (With switch to alto recorder @415)
• Excerpt from Piano Sonata, D. 958, 4th mvmt., choice of version for alto or bass recorders

• J. Strauss, Sr. (1804-1849)
• Solo recorder parts from the post-Schubert composer categories (not necessary if you get the versions with keyboard.)
• “Täuberln” Waltzes, Op. 1, 1-8, excepting No. 5, for alto recorder doubling C & D instruments

• Louise Farrenc (1804-1875)
• Finale from Trio, Op. 45, for alto recorder in F doubling alto in G, alto @415 and soprano @415

• F. Mendelssohn Hensel (1805-1847)
• Song without Words, Op. 8, No. 1

• Felix Mendelssohn (1809-1847)
• 1st movement from String Symphony No. 8
• 3rd movement from String Symphony No. 12

• F. Chopin (1810-1849)
• Nouvelle Étude No. 1
• Nouvelle Étude No. 3

• R. Schumann (1810-1856)
• Fugue on the Name BACH, Op. 60, No. 2
• “Der Contrabandiste,” from Spanisches Liederspiel, Op. 74

• R. Wagner (1813-1883)
• Love-Death from Tristan und Isolde

• C. Schumann (1819-1896)
• Prelude & Fugue
• Two Movements from Trio, Op. 17, arr. for alto in F in one and alto in G doubling tenor in C in the other, and keyboard

• E. Chabrier (1841-1894)
• Cortège burlesque, for alto recorder @440 doubling alto @415 and sopranino @440
• “Paysage,” No. 1 from Pièces Pittoresques, first section only
• España, from the song arrangement, for soprano or tenor recorder, two versions
• Souvenirs de Munich

• G. Mahler (1860-1911)
• Two Songs from Lieder und Gesänge aus der Jugendzeit
• Scherzo from Symphony No. 1, for alto in old pitch alternating with alto in modern pitch, soprano in old pitch, and tenor in modern pitch
• “Rheinlegendchen” from Des Knaben Wunderhorn arr. for alto doubling C instrument
• “Lied des Verfolgten im Turm,” from Des Knaben Wunderhorn
• “Das irdische Leben” from Des Knaben Wunderhorn
• “Revelge”, from Des Knaben Wunderhorn
• Excerpt from Symphony No. 3, 3rd Mvmt., arr. for bass recorder and keyboard
• Excerpts from Symphony No. 4, 2nd Mvmt., arr. for tenor recorder with shift to soprano
• Symphony No. 4, 3rd Mvmt. (Requires many different sizes of recorders)
• “Das himmlische Leben,” finale of Symphony No. 4
• Adagietto from Symphony No. 5, for bass recorder—doubling alto—and keyboard

• C. Debussy (1862-1918)
• Arabesque No. 1

• E. Satie (1866-1925)
• Gnossiennes 1-6
• Gnossiennes 1-3
• Gnossiennes 1-3 for Tenor or Soprano
• Gnossiennes 4-6
• Le fils des étoiles, Prélude to the 1st Act
• Petite ouverture à danser (ca. 1897), two versions
• Pièces froides, Part 1—Airs à faire fuir
• Pièces froides, Part 2—Danses de travers, arr. for bass or alto recorder and piano
• Trois Morceaux en forme de poire: “Manière de commencement” (AKA Gnossienne No. 7), 2 versions
• Trois Morceaux en forme de poire: II (Enlevé-De moitié)
• “En plus” from Trois Morceaux en forme de poire
• “Tyrolienne turque,” from Croquis et agaceries d’un gros bonhomme en bois, for alto doubling tenor, soprano or voice flute
• “Danse cuirassée,” from Vieux sequins et vielles cuirasses
• Excerpts from Sports et divertissements arr. for alto recorder—doubling C instrument—& keyboard
• “Son binocle,” from Les trois valses distinguées du précieux dégoûté, for bass recorder (or alto) in two different versions.
• La belle excentrique (Fantaisie sérieuse)

• Amy Beach (1867-1944)
• Three Songs from Robert Burns, arr. for tenor or soprano recorder & keyboard

• Scott Joplin (c. 1867-1917)
• Maple Leaf Rag
• Easy Winners
• Peacherine Rag
• Elite Syncopations
• The Entertainer
• Gladiolus Rag, in two different versions
• Rose Leaf Rag
• Solace, a Mexican Serenade
• Scott Joplin's New Rag

• Tom Turpin (1871-1922)
• The St. Louis Rag
• The Buffalo Rag

• A. Schoenberg (1874-1951)
• Two songs, Op. 14

• Maurice Ravel (1875-1937)
• “Forlane” from Le tombeau de Couperin
• “Menuet” from Le tombeau de Couperin

• M. de Falla (1876-1946)
• “Ritual Fire Dance” From El Amor Brujo (Recorder & keyboard version))

• B. Bartok (1881-1945)
• No. 146, “Ostinato,” from Mikrokosmos, Book 6, two versions

• A. von Webern (1883-1945)
• Five Songs, Op. 3

• A. Berg (1885-1935)
• Four Songs, Op. 2, for bass or alto recorder & piano
• Four Pieces, Op. 5

• Jelly Roll Morton (1890-1941)
• The Jelly Roll Blues

• Lili Boulanger (1893-1918)
• Nocturne, originally for Violin/Flute and Piano
• “D’un vieux jardin”, No. 1 from Trois Morceaux

• Music composed by Arranger/Composer/Webmaster Jay Scheide
• Three Pieces for Recorder & Keyboard
• Variations on a Theme from Bach’s Cantata 110
• Goin’ to Itaquaquecetuba
• Homage to Satie
• Honkia Chromatica Two
• It’s Seven-two Time
• No More Wetiko

• J.S. Bach - Concertos - for 1 Keyboard/Violin
• Concerto No. 1, BWV 1052

• J.S. Bach - Brandenburg Concertos & Orchestral Suites
• No. 1, BWV 1046, 1st three Mvmts.

• J.S. Bach - Organ Music - Miscellaneous
• Prélude and Fugue, BWV 544

• J.S. Bach - Keyboard Music - Partitas
• Four Mvmts. from Partita No. 6, BWV 830

• J.S. Bach - Chamber Music - Suites for Cello Solo
• Allemande & Courante from Suite No. 6, BWV 1012

• J.S. Bach - Chamber Music - Music for Lute
• Prelude, Fugue and Allegro, BWV 998

• J.S. Bach - Cantatas
• Aria, “Wer Sünde thut, der ist vom Teufel”, from Cantata 54
• Duet, “Wie will ich mich freuen,” from Cantata 146
• Aria, “Jesu, lass durch Wohl und Weh,” from Cantata 182

• H. I. F. von Biber (1644-1704)
• “Mystery” Sonata No. 9

• D. Scarlatti (1685-1757)
• Sonata K. 455, L. 209, P. 354 with alternative version for alto switching to either tenor or soprano

• J. B. Saint-Georges (1745-1799)
• Duet, Op. Posthumous No. 3
• Duet, Op. Posthumous No. 4
• Duet, Op. Posthumous No. 5

• W. A. Mozart (1756-1791)
• Sonata for Piano K. 309, 1st Mvmt.
• Three mvts. from Divertimento, K. 334
• Symphony No. 36, K. 425, “Linz”
• Piano Concerto No. 23, K. 488, 1st Mvmt.

• F. P. Schubert (1797-1828)
• Theme & Variations from the Octet, D. 803
• 1st Movement from Trio, D. 898
• No. 3 from Klavierstücke, D. 946, arr. for alto recorder @440, doubling voice flute @415
• 1st Movement from String Quintet, D. 956, for alto recorder with optional passages for bass

• Chiquinha Gonzaga (1847-1935)
• Three Tangos

• Maurice Ravel (1875-1937)
• “Le jardin féerique” from Ma mère l’oye

• J.S. Bach - Concertos - for 2+ Keyboards/Violins
• Concerto No. 1 for 3 Harpsichords, BWV 1063

• J.S. Bach - Brandenburg Concertos & Orchestral Suites
• Brandenburg Concerto No. 6 complete
• Suite No. 1, 1st movement, BWV 1066
• Suite No. 3, 1st movement, BWV 1068

• J.S. Bach - Organ Music - Miscellaneous
• Prélude from BWV 536
• Fantasie, BWV 572, 1st Section
• Fantasie, BWV 572, 3rd Section

• J.S. Bach - Chamber Music - Suites for Cello Solo
• Præludium from Suite No. 5, BWV 1011
• Sarabande from Suite No. 5, BWV 1011, two versions
• Gavotte I & II from Suite No. 5, BWV 1011 (See also version with kbd. accompaniment)

• J.S. Bach - Chamber Music - Music for Violin Solo
• Tempo di Borea & Double from Partita No. 1, BWV 1002
• Andante & Allegro from Sonata No. 2, BWV 1003
• Largo & Allegro assai from Sonata No. 3, BWV 1005
• Prélude to Partita No. 3, BWV 1006

• J.S. Bach - Chamber Music - Music for Lute
• Study based on BWV 999

• J.S. Bach - Miscellaneous Vocal Works
• “Quoniam” and “Cum Sancto Spiritu” from Mass, BWV 232

• Various Composers
• Solos and Duets for Intermediate-plus Level Players

• J. B. Saint-Georges (1745-1799)
• Recorder parts for Ten Concertos
• Recorder parts for Four Sinfonias Concertantes, one Symphony & one Overture
• Concerto, Op. 3 No. 1
• Concerto, Op. 3 No. 2, versions in Bb major and C
• Seven Concertos, Op. 2, No. 1 & 2, Op. 4, No. 1; Op. 5, No. 1 & 2, and Op. 7, No. 1 & 2.
• Concerto, Op. 4, No. 2

• W. A. Mozart (1756-1791)
• Concerto No. 9, K. 271
• Double Concerto, K. 365
• Opening Ritornels from 6 Piano Concertos
• Four Great Symphony Movements
• A Late Symphonic Movement and an Early One
• Five slow movements from the Piano Concertos
• Concerto for Clarinet and Orchestra, K. 622 (See also “Pieces for Recorder & Keyboard”)

• L. van Beethoven (1770-1827)
• Symphony No. 1, now complete
• Excerpt from third movement of “Hammerklavier” Sonata, Op. 106

• G. Rossini (1792-1868)
• Overture to L’Italiana in Algieri
• Overture to La gazza ladra (The Thieving Magpie)

• F. P. Schubert (1797-1828)
• First movement from the “Trout” Quintet, D. 667

• P. I. Tchaikovsky (1840-1893)
• Concert Overture Romeo and Juliet
• Nutcracker Suite, Op. 71A

• E. Chabrier (1841-1894)
• “Paysage,” No. 1 from 10 Pièces Pittoresques, first section only, two different versions
• España

• G. Mahler (1860-1911)
• 1st Mvt. from Symphony No. 1
• Finale from Symphony No. 1
• Symphony No. 2 “Resurrection” complete, arr. for one player alternating between SATB, sopranino, and alto recorder in G
• First three Mvts. from Symphony No. 3, arr. for one player alternating between Sopranino, Soprano at old & modern pitch, Alto at old & modern pitch, and in G, Tenor & Bass
• Three Movements, two for alto recorder & one for soprano
• 2nd Mvt. from Symphony No. 4
• Symphony No. 5, arr. for one player alternating between Soprano, Alto, Tenor & Bass and optional Sopranino
• 1st Mvt. from Symphony No. 6, requiring various recorders
• Andante moderato from Symphony No. 6, for Bass recorder doubling Alto, Tenor and Soprano
• Scherzo from Symphony No. 6
• Fourth Movement from Symphony No. 6
• Symphony No. 7 complete, calling for a wide variety of recorders
• Symphony No. 8, excerpt from the 2nd Mvmt., two different transpositions
• Symphony No. 9 complete, requiring switches between S, A, T, B, & Sopranino recorders
• Symphony No. 10 (Unfinished)

• C. Debussy (1862-1918)
• Prélude à l’après-midi d’un faune, primarily for tenor recorder

• Richard Strauss (1864-1949)
• Till Eulenspiegel’s Merry Pranks

• E. Satie (1866-1925)
• “Petit prélude à la journée”, from Enfantillages pittoresques
• Parade, “Ballet réaliste” (from the Orchestral version)

• A. Schoenberg (1874-1951)
• Verklärte Nacht, Op. 4
• Quartet No. 1, Op. 7

• Maurice Ravel (1875-1937)
• First Movement from Quartet in F major
• “Prélude” from Le tombeau de Couperin
• “Rigaudon” from Le tombeau de Couperin
• Theme from Bolero, four versions

• A. Berg (1885-1935)
• Quartet, Op. 3, arr. for 5 sizes of recorder in alternation

• Ruth Crawford Seeger (1901-1953)
• Two movements from Diaphonic Suite

• Music composed by Arranger/Composer/Webmaster Jay Scheide
• Étude No. 1

• J.S. Bach - Organ Music - Miscellaneous
• “Wachet auf, ruft uns die Stimme,” Chorale Prélude BWV 645, duet for alto & tenor recorders

• J.S. Bach - Keyboard Music - Well-tempered Clavier I
• Prélude No. 2, arr. for alto & bass recorders

• J.S. Bach - Keyboard Music - Miscellaneous
• Three Kleine Præludien for recorder duet

• J.S. Bach - Cantatas
• Two Mvts. from Cantata 4, choice of two versions
• Aria, “Gewaltige, ößt Gott vom Stuhl,” from Cantata 10, arr. for alto & bass recorders
• Aria, “Höchster mache deine Güte ferner, from Cantata 51, arr. for soprano & bass recorders
• Opening Ritornel from Chorus, “Gott, der Herr, ist Sonn’ und Schild”, from Cantata 79, arr. for alto & bass recorders
• Aria, “Nichts ist es spät und frühe,” from Cantata 97, arr. for alto & bass recorders
• Duet based on an aria (vocal duet) from Cantata 110, arr. for alto & bass recorders

• J.S. Bach - Miscellaneous Vocal Works
• Aria, “Quia fecit mihi magna,” from the Magnificat, BWV 243A, for alto & bass recorders, or, for soprano & tenor
• Aria, “Zerfliesse, mein Herze, in Fluten der Zähren,” No. 63 from the St. John Passion, BWV 245, arr. for alto & bass recorders

• Various Composers
• Duets from Dufay to de Falla Volumes 1-3 (including items formerly in separate entries)
• Solos and Duets for Intermediate-plus Level Players
• Set of 24 Duets from Mediæval to Mahler, primarily for soprano & alto recorders
• Eight Duets for soprano & alto recorders
• Four Duets for alto & tenor recorders
• Three Duet Sets (Mostly from the British Isles) for soprano & alto recorders
• Two Duets featuring “al Rovescio,” by Bach and Haydn

• Anonymous
• “Heth sold ein meisken garn om win”, duet for soprano & alto recorders
• Eight tunes from The Bird Fancyer’s Delight, arr. for soprano & alto recorders

• G. Dufay (1397-1477)
• Excerpts from “Benedictus” from the Mass Se la face ay pale (two different arrs.)

• O. de Lassus (1532-1594)
• “Benedictus” from Missa Octavi Toni, arr. for recorder duet (various recorders possible)

• C. Monteverdi (1567-1643)
• Two duets from Scherzi Musicali for soprano & alto recorders
• Two duets from Scherzi Musicali for alto & tenor recorders

• English Country Dances (17th-18th cent.)
• Wa is me, what mun I do!—8 English Country Dances for alto & tenor recorders
• 30 English Country Dances for soprano and alto recorders

• G. F. Handel (1685-1759)
• “O Ruddier than the Cherry” from Acis and Galatea

• D. Scarlatti (1685-1757)
• Sonata, K. 320, L. 341, P. 335, arr. for alto & bass recorders

• W. F. Bach (1710-1784)
• All 6 Flute duets and all 3 Viola duets, F. 54-62
• All 6 Flute duets, F. 54-59
• All 3 Viola duets, F. 60-62
• Duet No. 1 for Flutes, F. 54
• Duet No. 2 for Flutes, F. 55
• Duet No. 3 for Flutes, F. 56
• Duet No. 4 for Flutes, F. 57
• Duet No. 5 for Flutes, F. 58
• Duet No. 6 for Flutes, F. 59
• Duet No. 1 for Violas, F. 60
• Duet No. 2 for Violas, F. 61
• Duet No. 3 for Violas, F. 62

• F. J. Haydn (1732-1809)
• Minuet & Trio from Symphony No. 100, arr. for alto & bass recorders

• J. B. Saint-Georges (1745-1799)
• Duet, Op. Posthumous, No. 1, 1st Mvt., arr. for alto & tenor recorders

• W. A. Mozart (1756-1791)
• Duet based on Sonata for Piano with Violin, K. 380
• Duo, K. 423, arr. for alto & bass recorders
• Duo, K. 424, arr. for alto & bass recorders

• L. van Beethoven (1770-1827)
• One Écossaise & Five Diabelli Variations, arr. for alto & bass recorders
• Menuetto from Symphony No. 1, arr. for alto & bass recorders

• F. P. Schubert (1797-1828)
• Excerpts from “Quartettsatz”, D. 703, arr. for alto & bass recorders, or for soprano & tenor
• Excerpts from the “Wanderer” Fantasy, D. 760, arr. for alto & bass recorders
• Medley from the Piano Works of Schubert
• “Scherzo” from Octet, D. 803, arr. for alto & bass recorders
• Menuetto from Octet, D. 803, arr. for alto & bass, or, for soprano & tenor recorders
• Menuetto from Sonata, D. 894, arr. for alto & bass recorders, two versions
• 2nd Mvmt. of Trio No. 2, D. 929, arr. for alto & bass recorders
• “Scherzo” from Fantaisie for Pf. 4-hands, D. 940, arr. for alto & bass recorders
• Scherzo from Symphony No. 9, “The Great C major”, D. 944
• Excerpt from “Lebenstürme”, D. 947 for pf. 4-hands, arr. for alto and bass recorders, two versions, one with switch to alto @415
• Excerpt from String Quintet, D. 956, 2nd mvmt., arr. for alto & bass recorders
• Excerpt from Piano Sonata D. 958, 4th mvmt., arr. for alto & bass recorders
• Excerpt from Piano Sonata D. 958, 4th mvmt., arr. for soprano & tenor recorders
• Scherzo from Piano Sonata, D. 960, arr. for alto & bass recorders

• J. Strauss, Sr. (1804-1849)
• Radetzky March, for alto—doubling C instrument—and bass recorders

• G. Verdi (1813-1901)
• Desdemona's Aria from Otello, “Willow Song” (abbreviated)

• Eduard Strauss (1835-1916)
• Bahn Frei! Polka, arr. for sopranino & bass recorders

• J. L. Molloy (1837-1909)
• Love's Old Sweet Song, arr. for 2 bass or alto recorders

• M. Mussorgsky (1839-1881)
• “Tuileries” from Pictures at an Exhibition, duet for alto & bass recorders, or soprano & tenor

• G. Mahler (1860-1911)
• “Ging heut Morgen über’s Feld”, No. 2 from Lieder eines fahrenden Gesellen arr. for alto & tenor recorders
• Excerpt from “Die zwei blauen Augen”, No. 4 from Lieder eines fahrenden Gesellen, duet for alto & bass recorders, or soprano & tenor
• “Rheinlegendchen” from Des Knaben Wunderhorn, for alto—doubling C instrument—and bass recorders
• Two excerpts from Symphony No. 1, 4th Mvmt., arr. for alto & bass recorders
• Excerpt from Symphony No. 2, 5th Mvmt., arr. for alto & bass recorders
• “Revelge”, from Des Knaben Wunderhorn, arr. for alto & tenor recorders
• “Das himmlische Leben,” finale of Symphony No. 4, arr. for alto & bass recorders
• “Nun will die Sonn’ so hell aufgeh’n”, from Kindertotenlieder, arr. for alto & tenor recorders
• “In diesem Wetter!” from Kindertotenlieder, arr. for alto & bass recorders
• “Von der Jugend,” from Das Lied von der Erde, arr. for alto & bass recorders
• Excerpt from Symphony No. 9, 1st mvt., arr. for soprano & bass recorders

• E. Satie (1866-1925)
• Pièces froides, Part 2—Danses de travers, arr. for soprano & bass recorders
• Trois Morceaux en forme de poire, II ( (Enlevé-De moitié), arr. for alto and bass recorders
• “Idylle cynique”, from Préludes flasques, two versions
• “Celle qui parle trop” from Chapitres tournées en tous sens, arr. for 2 alto recorders
• Menus propos enfantins, arr. for recorder duet (various recorders possible)
• “Marche de Cocagne” from 3 Petites Pièces montées, arr. for alto & tenor recorders
• Sonnerie pour réveiller le bon gros Roi des Singes (lequel qui ne dort toujours que d'un œil), arr. for two alto recorders
• Relâche, “Ballet instantanéiste”

• A. Scriabin (1872-1915)
• Étude for Piano, Op. 2, No. 1, arr. for alto & bass recorders

• M. de Falla (1876-1946)
• “Danza española” No. 1 from La vida breve

• B. Bartok (1881-1945)
• Three Chromatic Inventions from Mikrokosmos, arr. for alto & bass recorders

• Music composed by Arranger/Composer/Webmaster Jay Scheide
• Honkia Chromatica for alto & bass recorders

• J.S. Bach - Concertos - for 2+ Keyboards/Violins
• Concerto for 2 Violins, BWV 1043, all three mvmts., arr. for 2 recorders & kbd., with bass parts

• J.S. Bach - Brandenburg Concertos & Orchestral Suites
• Air from Suite No. 3, BWV 1068 (“Air on the G-string”), arr. for Recorder Quartet

• J.S. Bach - Organ Music - Orgelbüchlein
• Chorale Prelude, “Liebster Jesu, wir sind hier”, BWV 633, arr. for Recorder Quintet

• J.S. Bach - Organ Music - Miscellaneous
• Fantasia BWV 562, arr. for recorder quintet
• Fughetta: Christum wir sollen loben schon, BWV 696, arr. for recorder quartet

• J.S. Bach - Keyboard Music - Well-tempered Clavier I
• Fugue No. 2, BWV 847/2, arr. for SAB recorders
• Fugue No. 5, BWV 850/2, arr. for recorder quartet, 2 versions
• Fugue No. 7, BWV 852/2, arr. for SAB recorders, two versions
• Fugue No. 13, BWV 858/2, arr. for SAB recorders
• Fugue No. 18, BWV 863/2, arr. for recorder quartet
• Prélude No. 19, BWV 864/1, arr. for recorder trio, two versions
• Fugue No. 20, BWV 865/2, arr. for SATB recorders
• Fugue No. 24, BWV 869/2, arr. for recorder quartet

• J.S. Bach - Keyboard Music - Well-tempered Clavier II
• Fugue No. 9, BWV 878/2, arr. for SATB recorders
• Fugue No. 17, BWV 886/2, arr. for SATB recorders
• Fugue No. 20, BWV 889/2, arr. for SAB recorders
• Prélude & Fugue No. 22, BWV 891, arr. for recorder trio & quartet, respectively
• Fugue No. 24, BWV 893/2, arr. for SAB recorders

• J.S. Bach - Keyboard Music - Miscellaneous
• Fantasia & Fugue, BWV 904, arr. for recorder quintet
• Fugue from Sonata, BWV 964, arr. for SATB recorders
• Adagio, BWV 968, arr. for recorder sextet
• Four Quartets from Bach for SATB recorders
• Ricercare à 6 from Musical Offering, BWV 1079

• J.S. Bach - Cantatas
• Versus II, “Den Tod Niemand zwingen kunnt”, from Cantata 4, Christ lag in Todesbanden, arr. for recorder trio
• Sinfonia, “Gleich wie der Regen und Schnee vom Himmel fällt,” from Cantata 18, arr. for recorder trio
• 2nd Mvmt. of Cantata 78, “Wir eilen, mit schwachen, doch emsigen Schritten,” arr. for soprano, alto & bass recorders
• Aria, “Schafe können sicher weiden” (Sheep May Safely Graze) from Cantata 208, arr. for two soprano recorders & keyboard

• J.S. Bach - Miscellaneous Vocal Works
• All Six Choruses from the Magnificat, BWV 243 (plus one alternative version), for Recorder Quintet

• Various Composers
• Four Recorder Quartets from 19th-Century Composers Looking Backward (plus an Alternative Transposed Version)

• G. de Machaut (c. 1300-1377)
• Two Canonic Trios

• F. Landini (c. 1335-1397)
• Three-part Ballata, Lasso! di donna vana innamorato

• Vicente Lusitano (c. 1520-1561 or after)
• Three-part Madrigal, Allor che ignuda

• W. A. Mozart (1756-1791)
• Adagio and Fugue, K. 546, arr. for recorder quartet

• L. van Beethoven (1770-1827)
• Two Quartets from Diabelli Variations, Op. 120
• Three Quintets from Late Beethoven

• F. P. Schubert (1797-1828)
• Recorder Trio based on the song Gretchen am Spinnrade, D.118

• F. Mendelssohn Hensel (1805-1847)
• “Abendlich schon rauscht der Wald”, No. 5 from Gartenlieder, Op. 3, arr. for SATB recorders

• G. Mahler (1860-1911)
• “Alles Vergängliche”, the “Chorus Mysticus” ending to Symphony No. 8, arr. for SSTB recorders

• E. Satie (1866-1925)
• 3 Gymnopédies arr. for tenor recorder, doubling alto, and guitar
• Aperçus désagréables arr. for Recorder Quartet
• En Habit de Cheval arr. for Recorder Quintet

• M. de Falla (1876-1946)
• Two Scenes from El Amor Brujo for Recorder Quartet
• “Ritual Fire Dance”, from El Amor Brujo, arr. for recorder quartet

• B. Bartok (1881-1945)
• No. 6, “Lento,” from 14 Bagatelles, Op. 6, arr. for Recorder Trio

• A. von Webern (1883-1945)
• Entflieht auf leichten Kähnen, Op. 2, arr. for SATB recorders

• Music composed by Arranger/Composer/Webmaster Jay Scheide
• Set of Five Recorder Trios
• Homage to Bach (and the 3rd Section of his Organ Fantasia, BWV 572) and an anonymous Zen poet, for two alto recorders who must also sing, and bass recorder
• Jazz Canon for Recorder Trio
• In Stile Antico e Moderno (two versions)
• Canzona from Wawona
• It’s Seven-two Time
• Wiskidy (Recorder Trio)