Catalog

Total Catalog Pieces : 552

• J.S. Bach - Concertos - for 1 Keyboard/Violin

  Pieces number for composer : 8

• Solo recorder parts for all the items in the Concerto categories. (Not necessary if you get the versions with keyboard.)
• Concerto, BWV 1059
• Concerto No. 2, BWV 1053
• Concerto No. 1, BWV 1052, Adagio
• Concerto No. 3, BWV 1054
• Concerto No. 4, BWV 1055
• Concerto No. 5, BWV 1056
• Concerto No. 7, BWV 1058

• E. Satie (1866-1925)

  Pieces number for composer : 12

• Gnossiennes 1-3
• Gnossiennes 1-3 for Tenor or Soprano
• <i>Pièces Froides</i>, Part 1—Airs à faire fuir
• Pièces Froides, Part 2—Danses de travers, arr. for bass or alto recorder and piano
• Trois Morceaux en forme de poire: “Manière de commencement” (AKA Gnossienne No. 7), 2 versions
• Trois Morceaux en forme de poire: II (Enlevé-De moitié)
• “En plus” from Trois Morceaux en forme de poire
• “Tyrolienne Turque,” from Croquis et Agaceries d'un Gros Bonhomme en Bois, for alto doubling tenor (or soprano)
• “Danse cuirassée,” from Vieux sequins et vielles cuirasses
• Excerpts from Sports et Divertissements arr. for alto recorder—doubling C instrument—& keyboard
• “Son Binocle,” from Les trois valses distinguées du précieux dégoûté, for bass recorder (or alto) in two different versions.
• La Belle Excentrique (Fantaisie Sérieuse)

• J.S. Bach - Miscellaneous Vocal Works

  Pieces number for composer : 11

• Aria, “Quoniam tu solus,” from Missa Brevis, BWV 233
• All Six Choruses from the Magnificat, <i>BWV 243</i> (plus one alternative version), for Recorder Quintet
• Aria, “Domine Deus” from Missa Brevis, BWV 234 for alto recorder doubling soprano or tenor
• Aria, "Deposuit potentes" from Magnificat, BWV 243, transposed to d
• Aria, "Deposuit potentes" from Magnificat, BWV 243, transposed to f
• Aria, “Gibt mir meinen Jesu wieder,” from the St. Matthew Passion, BWV 244
• Aria, “Aus Liebe,” from the St. Matthew Passion, BWV 244
• Aria, “Komm, süsses Kreuz”, from St. Matthew Passion, BWV 244
• Aria, “Zerschmettert mich ihr Felsen und ihr Hügel,” from an early version of the St. John Passion, BWV 245
• Terzetto, “Ach! wann wird die Zeit erscheinen, wann? ”from Christmas Oratorio, BWV 248, No. 5
• Aria, "Seele, deine Specereien sollen nicht mehr Myrrhen sein", from the Easter Oratorio, BWV 249

• J.S. Bach - Concertos - for 2+ Keyboards/Violins

  Pieces number for composer : 2

• Concerto for 2 Violins, BWV 1043
• Concerto No. 2 for 2 Harpsichords, BWV 1061 complete

• J.S. Bach - Brandenburg Concertos & Orchestral Suites

  Pieces number for composer : 6

• Trio from Brandenburg Concerto No. 1, BWV 1046
• Trio from Brandenburg Concerto No. 1, BWV 1046, arr. for tenor or soprano recorder & keyboard
• Brandenburg Concerto No. 2, BWV 1047
• Brandenburg Concerto No. 3, BWV 1048 (now complete)
• Brandenburg Concerto No. 4, BWV 1049, for Alto in F or G
• Orchestral Suite No. 2, BWV 1067

• J. S. Bach - Organ Music - Trio Sonatas

  Pieces number for composer : 7

• Solo recorder parts for all the items in the Organ categories. (Not necessary if you get the versions with keyboard.)
• Trio Sonata No. 1, BWV 525
• Trio Sonata No. 2, BWV 526
• Trio Sonata No. 3, BWV 527
• NB: A good arr. of Trio Sonata #4 by Bärenreiter exists. But if you’d still like such an arr. from VGRT (as with other such cases that fit our mission), please contact us.
• Trio Sonata No. 5, BWV 529
• Trio Sonata No. 6, BWV 530

• J.S. Bach - Organ Music - Orgelbüchlein

  Pieces number for composer : 5

• Chorale Prelude, "Das alte Jahr vergangen ist," BWV 614
• Chorale Prelude, “In dir ist Freude,” BWV 615
• Chorale Prelude, "O Mensch, bewein' dein' Sünde gross," BWV 622
• Chorale Prélude, “Ich ruf’ zu dir,” BWV 639, arr. for bass recorder & keyboard
• Chorale Prélude, "Wenn wir in höchsten Nöthen sein," BWV 641

• J.S. Bach - Organ Music - Miscellaneous

  Pieces number for composer : 25

• “Dorian” Toccata, BWV 538 transposed to c dorian
• “Dorian” Toccata, BWV 538 transposed to a dorian
• Fugue from BWV 539
• Toccata from BWV 540
• Prelude and Fugue, BWV 541
• Fantasia and Fugue, BWV 542
• Fugue from BWV 543
• Prélude from BWV 544
• “St. Anne” Prélude, BWV 552
• Prélude and Fugue, BWV 553
• Prélude and Fugue, BWV 553, arr. for tenor or soprano recorder & keyboard
• Prélude and Fugue, BWV 556
• Prélude and Fugue, BWV 558
• Prélude and Fugue, BWV 558, arr. for tenor or soprano recorder & keyboard
• Toccata, Adagio, and Fugue, BWV 564 (now complete)
• Passacaglia and Fugue, BWV 582
• Chorale Prélude, “Wachet auf, ruft uns die Stimme,” BWV 645
• Chorale Prelude, “Ach bleib’ bei uns, Herr Jesu Christ”, BWV 649
• Chorale Prélude, “Kommst du nun, Jesu, vom Himmel herunter,” BWV 650
• Chorale Fantasia super “Komm, heiliger Geist,” BWV 651
• Chorale Prélude, “Herr Jesu Christ, dich zu uns wend,” BWV 655
• Chorale Prélude, “Nun komm‘ der Heiden Heiland”, BWV 659
• Chorale Prélude, “Vor deinen Thron, tret’ ich”, BWV 668, arr. for bass recorder and keyboard
• Chorale Prélude, “Diess sind die heil’gen zehn Gebot,” BWV 678
• Chorale Prélude, “Nun freut euch, lieben Christen g’mein” BWV 734

• J.S. Bach - Keyboard Music - Well-tempered Clavier I

  Pieces number for composer : 8

• Solo recorder parts for all music in the Well-tempered Clavier and Keyboard Partita categories. (Not necessary if you get the versions with keyboard.)
• Prélude and Fugue No. 3, BWV 848
• Fugue No. 7, BWV 852/2
• Prélude and Fugue No. 8, BWV 853
• Prélude and Fugue No. 10, BWV 855
• Prélude and Fugue No. 13, BWV 858
• Prélude and Fugue No. 15, BWV 860
• Prélude and Fugue No. 19, BWV 864

• J.S. Bach - Keyboard Music - Well-tempered Clavier II

  Pieces number for composer : 14

• Prélude and Fugue No. 2, BWV 871
• Prélude and Fugue No. 3, BWV 872
• Fugue No. 4, BWV 873/2
• Prélude and Fugue No. 8, BWV 877
• Prélude and Fugue No. 9, BWV 878
• Prélude and Fugue No. 11, BWV 880
• Prélude and Fugue No. 12, BWV 881
• Prélude No. 13, BWV 882/1
• Prélude and Fugue No. 15, BWV 884
• Prélude No. 18, BWV 887/1
• Prélude and Fugue No. 20, BWV 889
• Prélude and Fugue No. 22, BWV 891
• Prélude and Fugue No. 23, BWV 892
• Prélude and Fugue No. 24, BWV 893

• J.S. Bach - Keyboard Music - Partitas

  Pieces number for composer : 6

• Sarabande from Partita No. 1, BWV 825
• Menuet I & II from Partita No. 1, BWV 825
• Sinfonia from Partita No. 2, BWV 826
• Capriccio from Partita No. 2, BWV 826
• Partita No. 3 Complete, BWV 827
• Allemande from Partita No. 5, BWV 829

• J.S. Bach - Keyboard Music - English Suites

  Pieces number for composer : 6

• Solo Recorder Parts from the English Suites, Goldberg Variations, Misc. Keyboard, and Art of Fugue sections (not necessary if you get the versions with keyboard)
• Bourrée I & II from English Suite No. 1, BWV 806
• Four Mvmts. from English Suite No. 2, BWV 807, transposed to d
• Four Mvmts. from English Suite No. 2, BWV 807, transposed to c
• Gavotte I & II from English Suite No. 3, BWV 808
• Four Mvmts. from English Suite No. 5, BWV 810

• J.S. Bach - Keyboard Music - Goldberg Variations

  Pieces number for composer : 2

• Variation 13
• Variation 25

• J.S. Bach - Keyboard Music - Miscellaneous

  Pieces number for composer : 18

• 2-part Invention No. 1 and 1A, BWV 772 & 772A
• 2-part Invention No. 4, BWV 775
• 2-part Invention No. 8, BWV 779
• 2-part Invention No. 12, BWV 783
• 2-part Invention No. 13, BWV 784
• 2-part Invention No. 14, BWV 785
• 3-part Invention No. 8, BWV 794
• 3-part Invention No. 9, BWV 795
• 3-part Invention No. 12, BWV 798
• 3-part Invention No. 14, BWV 800
• 3-part Invention No. 15, BWV 801
• French Suite No. 5, BWV 816 complete
• Fantasia & Fugue (Unfinished), BWV 906
• Fantasia & Fugue, BWV 906, with a completion by F. Busoni
• Fugue on a theme by Albinoni, BWV 951
• Italian Concerto, BWV 971
• Concerto after Alessandro Marcello, BWV 974
• Three-part Ricercare from Musical Offering, BWV 1079

• J.S. Bach - Art of the Fugue

  Pieces number for composer : 9

• Contrapunctus 8
• Contrapunctus 9
• Contrapunctus 13, Rectus
• Contrapunctus 13, Inversus
• All Four Canons from the Art of the Fugue
• Augmentation Canon in Contrary Motion
• Canon at the Octave
• Canon at the 10th
• Canon at the 12th

• J.S. Bach - Chamber Music - Suites for Cello Solo

  Pieces number for composer : 7

• Solo recorder parts for the Solo strings and Lute Music categories. (Not necessary if you get the versions with keyboard.)
• Complete Suite No. 1, BWV 1007, choice of two different keys
• Complete Suite No. 3, BWV 1009, transposed to F major
• Complete Suite No. 3, BWV 1009, in original key of C, for tenor or soprano recorder, doubling alto
• Complete Suite No. 4, BWV 1010
• Gavotte I & II from Suite No. 5, BWV 1011
• Gavotte I & II from Suite No. 6, BWV 1012

• J.S. Bach - Chamber Music - Music for Violin Solo

  Pieces number for composer : 4

• Tempo di Borea & Double from Partita No. 1, BWV 1002
• Fugue from Sonata No. 2, BWV 1003
• Fugue from Sonata No. 3, BWV 1005
• Gavotte en Rondeau from Partita No. 3, BWV 1006

• J.S. Bach - Chamber Music - Music for Lute

  Pieces number for composer : 4

• Prelude from Lute Suite, BWV 995 (also derived from BWV 1011)
• Suite, BWV 996
• Suite, BWV 997
• Prelude, BWV 999

• J.S. Bach - Chamber Music - Miscellaneous

  Pieces number for composer : 12

• Solo recorder parts for the miscellaneous chamber music and miscellaneous vocal categories (not necessary if you get the versions with keyboard.)
• Sonata No. 2 for Violin & Keyboard, BWV 1015
• Sonata No. 5 for Violin & Keyboard, BWV 1018
• Sonata, BWV 1019a, 3rd Mvmt.
• Sonata, BWV 1021
• Sonata for Violin and Continuo, BWV 1023
• Fugue for Violin and Continuo, BWV 1026
• Sonata No. 3 for Viola da Gamba and Continuo, BWV 1029, transposed to d
• Sonata No. 3 for Viola da Gamba and Continuo, BWV 1029, transposed to c
• Trio Sonata, BWV 1038
• “Fuga canonica in Epidiapente”, from Musical Offering, BWV 1079
• Trio Sonata from Musical Offering, BWV 1079, Complete

• J.S. Bach - Cantatas

  Pieces number for composer : 43

• Solo recorder parts from the Cantatas category (not necessary if you get the versions with keyboard.)
• Chorus, “Ach Gott, wie manches Herzeleid,” from Cantata 3
• Verse 3, “Jesus Christus, Gottes Sohn”, from Cantata 4
• Aria, “Merkt und hört ihr Menschenkinder,” from Cantata 7
• Aria, “Des Vaters Stimme ließ sich hören,” from Cantata 7
• Aria, “Doch weichet, ihr tollen,” from Cantata 8
• Aria, “Gott, bei deinem starken Schützen,” from Cantata 14
• Sinfonia from Cantata 29, Wir danken dir, Gott, wir danken dir
• Aria, “Woferne du den edlen Frieden,” from Cantata 41
• Aria, “Jauchzet Gott in allen Landen,” from Cantata 51
• Aria, “Höchster, mache deine Güte ferner,” from Cantata 51
• Aria, “Höchster, mache deine Güte ferner,” from Cantata 51, arr. for tenor or soprano recorder & keyboard
• Aria, “Höchster, mache deine Güte ferner,” from Cantata 51, arr. for bass recorder & keyboard
• Chorale, “Sei Lob und Preis mit Ehren,” from Cantata 51
• Aria, “Endlich, endlich wird mein Joch,” from Cantata 56
• Aria, “Ich bin vergnügt in meinem Leiden,” from Cantata 58
• Chorale + aria, “Ich hab’ vor mir ein’ schwere Reis’,” from Cantata 58
• Duet, “Gott, du hast es wohl gefüget,” from Cantata 63
• Aria, “Mein gläubiges Herze,” from Cantata 68
• Aria, “Lass’ der Spötter,” from Cantata 70
• Opening Ritornel from Chorus, “Gott, der Herr, ist Sonn’ und Schild” from Cantata 79
• Aria, “Seht, seht! wie reißt, wie bricht, wie fällt,” from Cantata 92
• Aria, “Bethörte Welt!,” from Cantata 94
• Aria, “Ich traue seiner Gnaden,” from Cantata 97
• Chorus, “Was Gott thut, das ist wohlgethan,” from Cantata 99/100
• Aria, “Erschütt’re dich nur nicht, verzagte Seele” , from Cantata 99
• Opening, “Es ist euch gut, dass ich hin gehe,” from Cantata 108
• Aria, “Jesus nimmt die Sünder an,” from Cantata 113
• Aria, “Wo wird in diesem Jammerthale,” from Cantata 114
• Aria, “Bete aber auch dabei,” from Cantata 115
• Aria, “Heil und Segen,” from Cantata 120 (See BWV 1019a in the “Miscellaneous Chamber Music” section)
• Aria, “Christi Glieder, ach, bedenket,” from Cantata 132
• Aria, “Ich halte meinen Jesum feste,” from Cantata 157
• Aria, “Ja, ja, ich halte Jesum feste,” from Cantata 157
• Aria with Chorale, “Welt, ade!”, from Cantata 158
• Aria, “Lass mein Herz die Münze sein,” from Cantata 163
• Aria, “Gott soll allein mein Herze haben,” from Cantata 169
• Aria, “Weichet nur, betrübte Schatten,” from Cantata 202
• Æolus’s aria, “Wie will ich lustig lachen” from Cantata 206
• Pallas’s aria “Angenehmer Zephyrus” from Cantata 205 arr. for alto recorder, doubling tenor, & keyboard
• Duet, “Zweig’ und Aeste zollen dir,” from Cantata 205
• Sinfonia from Cantata 209, Non sa che sia dolore
• Aria, “Dein Wachsthum sei feste”, from Cantata 212

• Various Composers

  Pieces number for composer : 2

• Solo recorder parts from the non-Bach, pre-Mozart composer categories. (Not necessary if you get the versions with keyboard.)
• Four Scotch tunes from Calliope (1739) arr. for soprano recorder & keyboard

• Anonymous

  Pieces number for composer : 1

• Eight tunes from The Bird Fancyer’s Delight, arr. for soprano recorder & keyboard

• T. Morley (1557-1603)

  Pieces number for composer : 1

• Two Canzonets to Three Voices

• A. Ferrabosco II (1575-1628)

  Pieces number for composer : 1

• Fantasia in Four Parts [on the hexachord] (Version also for tenor or soprano recorder)

• Francesca Caccini (1587-1641 or later)

  Pieces number for composer : 1

• An Aria & a Motet from Il primo libro delle musiche a una e due voci (1618), arr. for tenor or soprano recorder

• Barbara Strozzi (1619-1677)

  Pieces number for composer : 3

• Cantata, “Lagrime mie”, from Diporti di Euterpe, Op. 7, arr. for tenor or soprano recorder & keyboard
• Aria from the Cantata “Aure già che” from Arie a voce sola, Op. 8, arr. for tenor or soprano recorder & keyboard
• Cantata, “Che si puo fare” from Arie a voce sola, Op. 8, arr. for tenor or soprano recorder & keyboard

• A. Corelli (1653-1713)

  Pieces number for composer : 1

• Pastorale from “Christmas” Concerto, Op. 6, No. 8, for alto recorder—doubling tenor—and keyboard

• Elisabeth Jacquet de la Guerre (1665-1729)

  Pieces number for composer : 1

• Sonata, 1st Two Mvmts.

• English Country Dances (17th-18th cent.)

  Pieces number for composer : 2

• Four English Country Dances, arr. for soprano recorder & keyboard
• Fourteen English Country Dances, arr. for soprano recorder & keyboard/guitar

• G. P. Telemann (1681-1767)

  Pieces number for composer : 3

• Sonata (Duet) TWV 40:125
• Sonata (Duet) TWV 40:126
• Sonata for Flute & Fondamento TWV 41h:4

• G. F. Handel (1685-1759)

  Pieces number for composer : 7

• Aria, “Voli per l'aria chi può volare,” from Tra le fiamme, H. 170
• Sonata, Op. 1 No. 12, HWV 370, 1st Mvmt., two versions
• Polonaise from Concerto Grosso, Op. 6, No. 3 (with choice of 2 different keys)
• Allemande from Concerto Grosso, Op. 6, No. 8
• Sinfonia from Acis and Galatea
• “The Arrival of the Queen of Sheba,” from Solomon
• Fugue from Suite for Harpsichord, HWV 429

• D. Scarlatti (1685-1757)

  Pieces number for composer : 17

• Sonata K. 1, L. 366, P. 57
• Sonata K. 9, L. 413, P. 65
• Sonata K. 10, L. 370, P. 66
• Sonata K. 33, L. 424, P. 130
• Sonata K. 55, L. 335, P. 117
• Sonata, K. 71, L. 81, P. 17
• Sonata K. 72, L. 401, P. 1
• Sonata, K. 107, L. 474, P. 98, arr. for alto in G with optional switch to alto in F
• Toccata K. 141, L. 422, P. 271—really hard, medium hard, and easier versions
• Sonata K. 208, L. 238, P. 315
• Sonata, K. 320, L. 341, P. 335
• Sonata, K. 322, L. 483, P. 360
• Sonata, K. 371, L. 17, P. 264
• Sonata K. 466, L. 118, P. 501, played by alto either @ 440 or fingered a half step higher by one @415
• Sonata K. 531, L. 430, P. 535, for alto in G, with optional switch to alto in F
• Sonata K. 531, L. 430, P. 535, for alto in F, with optional switch to alto in Eb
• Sonata, K. 547, L. S28, P. 551, two different versions

• W. F. Bach (1710-1784)

  Pieces number for composer : 1

• 1st Movement from Sonata, F. 6

• C. P. E. Bach (1714-1788)

  Pieces number for composer : 3

• Andante from Sonata, H. 24, Wq. 48, No. 1
• Sonata, H. 37, Wq. 52, No. 4, 3rd Mvt.
• Sonata, H. 551, Wq. 124, complete

• F. J. Haydn (1732-1809)

  Pieces number for composer : 5

• Symphony No. 45, “Farewell”, 1st Mvmt.
• Quartet, Op. 33 No. 2, “Joke,” Finale
• Quartet, Op. 33 No. 3, “Bird,” Finale
• The Minuets from Five Late Symphonies
• Quartet, Op. 77 No. 1

• Anna Amalia of Brunswick-Wolfenbüttel (1739–1807)

  Pieces number for composer : 1

• Divertimento

• J. B. Saint-Georges (1745-1799)

  Pieces number for composer : 8

• Minuet from Sonata for Flute and Harp
• Quartet, Op. 1, No. 1, arr. for Alto doubling Tenor or Soprano
• Quartet, Op. 1, No. 2
• Quartet, Op. 1, No. 4
• Quartet, Op. 1, No. 5
• Sonata Op. 1a, No. 2, 1st Mvmt.
• Sonata Op. 1a, No. 3, 1st Mvmt.
• “Ouverture” from L’Amant anonyme, 1st Mvmt.

• W. A. Mozart (1756-1791)

  Pieces number for composer : 46

• Solo recorder parts from Early Mozart (not necessary if you get the versions with keyboard.)
• 978
• 12 Sonate da chiesa
• K. 15p, (No. 15) from the “London Sketchbook”
• Sonata K. 60, formerly attributed to Mozart, 2nd Mvmt.
• Sonata da Chiesa, K. 68
• Sonata da Chiesa, K. 144
• Symphony No. 29, K. 201, 4th Mvmt.
• Sonata da Chiesa, K. 225
• Sonata da Chiesa, K. 241
• Sonata da Chiesa, K. 244
• Sonata da Chiesa, K. 245
• Trio/Divertimento K. 254, 1st Mvmt.
• Sonata da Chiesa, K. 263
• Sonata da Chiesa, K. 274
• Sonata da Chiesa, K. 278
• Sonata, K. 279
• Sonata, K. 281, in two different versions
• Sonata, K. 282, 3rd Mvmt.
• Quartet, K. 285
• Quartet, K. 285, 2nd Mvmt., for stand-alone performance
• “Paris” Symphony, K. 297, Finale, for alto recorder, doubling soprano or tenor, & keyboard
• Sonata, K. 303
• Sonata, K. 304
• Sonata, K. 305
• 2nd Mvt. from Sonata K. 311
• Concerto No. 1 for Flute & Orchestra, K.313
• Concerto No. 2 for Flute & Orchestra, K.314
• Sonata da Chiesa, K. 328
• Sonata da Chiesa, K. 329
• Sonata da Chiesa, K. 336
• Symphony No. 34, K. 338
• Solo recorder parts from middle & late Mozart, Beethoven, Vorisek & Schubert (not necessary if you get the versions with keyboard.)
• Minuet, K. 355 & Eine kleine Gigue, K. 574
• Sonata, K. 377
• Sonata, K. 379
• Duet, K. 381
• Quartet, K. 387, 1st Mvmt.
• Sonata K. 481, arr. for alto in F doubling alto in G
• Quintet, K. 516
• 1st movement from Sonata, K. 521
• Trio, K. 563, 1st Mvmt.
• Quintet, K. 581, 1st Mvmt.
• Overture to Cosi fan tutte, K. 588
• Overture to The Magic Flute, K. 620
• Concerto for Clarinet & Orchestra, K. 622

• L. van Beethoven (1770-1827)

  Pieces number for composer : 3

• Menuetto from Symphony No. 1
• Lento assai from String Quartet No. 16, Op. 135, for bass recorder, doubling alto, and keyboard
• “Alla Turca” episode from Violin Concerto K. 219, 3rd Mvt., two versions, one for tenor or soprano and one for alto

• J. V. Vorisek (1791-1825)

  Pieces number for composer : 1

• Rhapsody for Piano, Op. 1, No. 9

• G. Rossini (1792-1868)

  Pieces number for composer : 1

• Petite Caprice (Style Offenbach)

• F. P. Schubert (1797-1828)

  Pieces number for composer : 9

• Gretchen am Spinnrade, D. 118, for tenor or soprano recorder & keyboard
• Piano Sonata, D. 571, fragment, with a new completion
• Two Popular Pieces, choice of C instrument or alto versions
• No. 2 from Moments musicaux, D. 780, for tenor/soprano recorder & keyboard
• No. 5 from Moments musicaux, D. 780
• Adagio from Octet, D. 803
• “Scherzo” from Fantaisie for pf. 4-hands, D. 940
• Excerpt from “Lebenstürme”, D. 947 for pf. 4-hands (With switch to alto recorder @415)
• Excerpt from Piano Sonata, D. 958, 4th mvmt., choice of version for alto or bass recorders

• J. Strauss, Sr. (1804-1849)

  Pieces number for composer : 2

• Solo recorder parts from the post-Schubert composer categories (not necessary if you get the versions with keyboard.)
• “Täuberln” Waltzes, Op. 1, 1-8, excepting No. 5, for alto recorder doubling C & D instruments

• Louise Farrenc (1804-1875)

  Pieces number for composer : 1

• Finale from Trio, Op. 45, for alto recorder in F doubling alto in G, alto @415 and soprano @415

• F. Mendelssohn Hensel (1805-1847)

  Pieces number for composer : 1

• Song without Words, Op. 8, No. 1

• F. Chopin (1810-1849)

  Pieces number for composer : 2

• Nouvelle Étude No. 1
• Nouvelle Étude No. 3

• R. Schumann (1810-1856)

  Pieces number for composer : 1

• Fugue on the Name BACH, Op. 60, No. 2

• R. Wagner (1813-1883)

  Pieces number for composer : 1

• Love-Death from Tristan und Isolde

• C. Schumann (1819-1896)

  Pieces number for composer : 2

• Prelude & Fugue
• Two Movements from Trio, Op. 17, arr. for alto in F in one and alto in G doubling tenor in C in the other, and keyboard

• E. Chabrier (1841-1894)

  Pieces number for composer : 4

• Cortège burlesque, for alto recorder @440 doubling alto @415 and sopranino @440
• “Paysage,” No. 1 from Pièces Pittoresques, first section only
• España, from the song arrangement, for soprano or tenor recorder, two versions
• Souvenirs de Munich

• G. Mahler (1860-1911)

  Pieces number for composer : 11

• Two Songs from Lieder und Gesänge aus der Jugendzeit
• Scherzo from Symphony No. 1, for alto in old pitch alternating with alto in modern pitch, soprano in old pitch, and tenor in modern pitch
• “Rheinlegendchen” from Des Knaben Wunderhorn arr. for alto doubling C instrument
• “Lied des Verfolgten im Turm,” from Des Knaben Wunderhorn
• “Das irdische Leben” from Des Knaben Wunderhorn
• “Revelge”, from Des Knaben Wunderhorn
• Excerpt from Symphony No. 3, 3rd Mvmt., arr. for bass recorder and keyboard
• Excerpts from Symphony No. 4, 2nd Mvmt., arr. for tenor recorder with shift to soprano
• Symphony No. 4, 3rd Mvmt. (Requires many different sizes of recorders)
• “Das himmlische Leben,” finale of Symphony No. 4
• Adagietto from Symphony No. 5, for bass recorder—doubling alto—and keyboard

• C. Debussy (1862-1918)

  Pieces number for composer : 1

• Arabesque No. 1

• Scott Joplin (c. 1867-1917)

  Pieces number for composer : 9

• Maple Leaf Rag
• Easy Winners
• Peacherine Rag
• Elite Syncopations
• The Entertainer
• Gladiolus Rag, in two different versions
• Rose Leaf Rag
• Solace, a Mexican Serenade
• Scott Joplin's New Rag

• Maurice Ravel (1875-1937)

  Pieces number for composer : 1

• “Menuet” from Tombeau de Couperin

• Jelly Roll Morton (1890-1941)

  Pieces number for composer : 1

• The Jelly Roll Blues

• Lili Boulanger (1893-1918)

  Pieces number for composer : 2

• Nocturne, originally for Violin/Flute and Piano
• “D’un vieux jardin”, No. 1 from Trois Morceaux

• Music composed by Arranger/Composer/Webmaster Jay Scheide

  Pieces number for composer : 7

• Three Pieces for Recorder & Keyboard
• Variations on a Theme from Bach's Cantata 110
• Goin’ to Itaquaquecetuba
• Homage to Satie
• Honkia Chromatica Two
• It's Seven-two Time
• No More Wetiko

• d. Yoken

  Pieces number for composer : 1

• jj

• J.S. Bach - Concertos - for 1 Keyboard/Violin

  Pieces number for composer : 1

• Concerto No. 1, BWV 1052

• J.S. Bach - Concertos - for 2+ Keyboards/Violins

  Pieces number for composer : 2

• Concerto No. 1 for 3 Harpsichords, BWV 1063
• Concerto No. 2 for 3 Harpsichords, BWV 1064

• J.S. Bach - Brandenburg Concertos & Orchestral Suites

  Pieces number for composer : 2

• No. 1, BWV 1046, 1st three Mvmts.
• Orchestral Suite No. 3, BWV 1068, 1st Mvmt.

• J.S. Bach - Organ Music - Miscellaneous

  Pieces number for composer : 1

• Prélude and Fugue, BWV 544

• J.S. Bach - Keyboard Music - Well-tempered Clavier II

  Pieces number for composer : 1

• Prélude No. 17, BWV 886

• J.S. Bach - Keyboard Music - Partitas

  Pieces number for composer : 2

• Rondeaux from Partita No. 2, BWV 826
• Four Mvmts. from Partita No. 6, BWV 830

• J.S. Bach - Chamber Music - Suites for Cello Solo

  Pieces number for composer : 2

• Prelude & Gigue from Suite No. 2, BWV 1008
• Allemande & Courante from Suite No. 6, BWV 1012

• J.S. Bach - Cantatas

  Pieces number for composer : 1

• Chorus, “Mache dich, mein Geist, bereit,” from Cantata 115

• D. Scarlatti (1685-1757)

  Pieces number for composer : 1

• Sonata K. 455, L. 209, P. 354 with alternative version for alto switching to either tenor or soprano

• W. A. Mozart (1756-1791)

  Pieces number for composer : 5

• Sonata for Piano K. 309, 1st Mvmt.
• Symphony No. 36, K. 425, “Linz”
• Piano Concerto No. 23, K. 488, 1st Mvmt.
• Overture to The Marriage of Figaro, K. 492
• Overture to La Clemenza di Tito, K. 621

• F. P. Schubert (1797-1828)

  Pieces number for composer : 4

• Theme & Variations from the Octet, D. 803
• 1st Movement from Trio, D. 898
• No. 3 from Klavierstücke, D. 946, arr. for alto recorder @440, doubling voice flute @415
• 1st Movement from String Quintet, D. 956, for alto recorder with optional passages for bass

• M. de Falla (1876-1946)

  Pieces number for composer : 1

• “Ritual Fire Dance” From El Amor Brujo

• Marianne von Martinez (1744-1812)

  Pieces number for composer : 1

• Sonata, Op. 4, 1st mvt.

• Anna Amalia of Brunswick-Wolfenbüttel (1739–1807)

  Pieces number for composer : 1

• 3369

• E. Satie (1866-1925)

  Pieces number for composer : 2

• “Petit prélude à la journée”, from Enfantillages pittoresques
• Parade, “Ballet réaliste” (from the Orchestral version)

• Music composed by Arranger/Composer/Webmaster Jay Scheide

  Pieces number for composer : 1

• Étude No. 1

• Richard Strauss (1864-1949)

  Pieces number for composer : 1

• Till Eulenspiegel’s Merry Pranks

• J.S. Bach - Organ Music - Miscellaneous

  Pieces number for composer : 3

• Prélude from BWV 536
• Fantasie, BWV 572, 1st Section
• Fantasie, BWV 572, 3rd Section

• J.S. Bach - Cantatas

  Pieces number for composer : 1

• test cantaats

• W. A. Mozart (1756-1791)

  Pieces number for composer : 4

• Opening Ritornels from 6 Piano Concertos
• <i>Testing</i>
• Four Great Symphony Movements
• Concerto for Clarinet and Orchestra, K. 622 (See also “Pieces for Recorder & Keyboard”)

• L. van Beethoven (1770-1827)

  Pieces number for composer : 1

• Symphony No. 1, now complete

• J.S. Bach - Chamber Music - Music for Violin Solo

  Pieces number for composer : 4

• Tempo di Borea & Double from Partita No. 1, BWV 1002 (See also “Pieces for Recorder and Keyboard”)
• Andante & Allegro from Sonata No. 2, BWV 1003
• Allegro assai from Sonata No. 3, BWV 1005
• Prélude to Partita No. 3, BWV 1006

• J.S. Bach - Chamber Music - Suites for Cello Solo

  Pieces number for composer : 3

• Præludium from Suite No. 5, BWV 1011
• Sarabande from Suite No. 5, BWV 1011, two versions
• Gavotte I & II from Suite No. 5, BWV 1011 (See also version with kbd. accompaniment)

• J.S. Bach - Chamber Music - Music for Lute

  Pieces number for composer : 1

• Study based on BWV 999

• Various Composers

  Pieces number for composer : 1

• Solos and Duets for Intermediate-plus Level Players

• G. Rossini (1792-1868)

  Pieces number for composer : 2

• Overture to L’Italiana in Algieri
• Overture to La gazza ladra (The Thieving Magpie)

• P. I. Tchaikovsky (1840-1893)

  Pieces number for composer : 2

• Concert Overture Romeo and Juliet
• Nutcracker Suite, Op. 71A

• J.S. Bach - Concertos - for 1 Keyboard/Violin

  Pieces number for composer : 1

• testing ordering

• E. Chabrier (1841-1894)

  Pieces number for composer : 1

• “Paysage,” No. 1 from 10 Pièces Pittoresques, first section only, two different versions

• G. Mahler (1860-1911)

  Pieces number for composer : 13

• Finale from Symphony No. 1
• Symphony No. 2 “Resurrection” complete, arr. for one player alternating between SATB, sopranino, and alto recorder in G
• First three Mvts. from Symphony No. 3, arr. for one player alternating between Sopranino, Soprano at old & modern pitch, Alto at old & modern pitch, and in G, Tenor & Bass
• Three Movements, two for alto recorder & one for soprano
• 2nd Mvt. from Symphony No. 4
• First three Mvts. from Symphony No. 5, arr. for one player alternating between Soprano, Alto, Tenor & Bass and optional Sopranino
• 1st Mvt. from Symphony No. 6, requiring various recorders
• Andante moderato from Symphony No. 6, for Bass recorder doubling Alto, Tenor and Soprano
• Fourth Movement from Symphony No. 6
• Symphony No. 7 complete, calling for a wide variety of recorders
• Symphony No. 8, excerpt from the 2nd Mvmt., two different transpositions
• Symphony No. 9 complete, requiring switches between S, A, T, B, & Sopranino recorders
• Symphony No. 10 (Unfinished)

• C. Debussy (1862-1918)

  Pieces number for composer : 1

• Prélude à l'après-midi d'un faune, primarily for tenor recorder

• J. B. Saint-Georges (1745-1799)

  Pieces number for composer : 1

• Op. 136

• J.S. Bach - Miscellaneous Vocal Works

  Pieces number for composer : 2

• Aria, “Quia fecit mihi magna,” from the Magnificat, BWV 243A, for alto & bass recorders, or, for soprano & tenor
• Aria, “Zerfliesse, mein Herze, in Fluten der Zähren,” No. 63 from the St. John Passion, BWV 245, arr. for alto & bass recorders

• J.S. Bach - Cantatas

  Pieces number for composer : 5

• Aria, “Gewaltige ößt Gott vom Stuhl”, from Cantata 10, arr. for alto & bass recorders
• Aria, “Höchster mache deine Güte ferner, from Cantata 51, arr. for soprano & bass recorders
• Opening Ritornel from Chorus, “Gott, der Herr, ist Sonn’ und Schild”, from Cantata 79, arr. for alto & bass recorders
• Aria, “Nichts ist es spät und frühe,” from Cantata 97, arr. for alto & bass recorders
• Duet based on an aria (vocal duet) from Cantata 110

• J.S. Bach - Organ Music - Miscellaneous

  Pieces number for composer : 1

• “Wachet auf, ruft uns die Stimme,” Chorale Prélude BWV 645, duet for alto & tenor recorders

• J.S. Bach - Keyboard Music - Well-tempered Clavier I

  Pieces number for composer : 1

• Prélude No. 2, arr. for alto & bass recorders

• Various Composers

  Pieces number for composer : 6

• Duets from Dufay to de Falla Volumes 1-3 (including items formerly in separate entries)
• Solos and Duets for Intermediate-plus Level Players (See the section, “Pieces for Solo Recorder, No Keyboard Part Anticipated”)
• Set of 24 Duets from Mediæval to Mahler, primarily for soprano & alto recorders
• Eight Duets for soprano & alto recorders
• Four Duets for alto & tenor recorders
• Three Duet Sets (Mostly from the British Isles) for soprano & alto recorders

• Anonymous

  Pieces number for composer : 2

• “Heth sold ein meisken garn om win”, duet for soprano & alto recorders
• Eight tunes from The Bird Fancyer’s Delight, arr. for soprano & alto recorders

• G. Dufay (1397-1477)

  Pieces number for composer : 1

• Excerpts from “Benedictus” from the Mass Se la face ay pale (two different arrs.)

• O. de Lassus (1532-1594)

  Pieces number for composer : 1

• “Benedictus” from Missa Octavi Toni, arr. for recorder duet (various recorders possible)

• C. Monteverdi (1567-1643)

  Pieces number for composer : 2

• Two duets from Scherzi Musicali for soprano & alto recorders
• Two duets from Scherzi Musicali for alto & tenor recorders

• English Country Dances (17th-18th cent.)

  Pieces number for composer : 2

• Wa is me, what mun I do!—8 English Country Dances for alto & tenor recorders
• 30 English Country Dances for soprano and alto recorders

• D. Scarlatti (1685-1757)

  Pieces number for composer : 1

• Sonata, K. 320, L. 341, P. 335, arr. for alto & bass recorders

• W. F. Bach (1710-1784)

  Pieces number for composer : 12

• All 6 Flute duets and all 3 Viola duets, F. 54-62
• All 6 Flute duets, F. 54-59
• All 3 Viola duets, F. 60-62
• Duet No. 1 for Flutes, F. 54
• Duet No. 2 for Flutes, F. 55
• Duet No. 3 for Flutes, F. 56
• Duet No. 4 for Flutes, F. 57
• Duet No. 5 for Flutes, F. 58
• Duet No. 6 for Flutes, F. 59
• Duet No. 1 for Violas, F. 60
• Duet No. 2 for Violas, F. 61
• Duet No. 3 for Violas, F. 62

• F. J. Haydn (1732-1809)

  Pieces number for composer : 2

• “Menuet al Rovescio” from Piano Sonata Hob. XVI/26, arr. for alto & bass recorders
• Minuet & Trio from Symphony No. 100, arr. for alto & bass recorders

• J. B. Saint-Georges (1745-1799)

  Pieces number for composer : 1

• Duet Sonata, Op. Posthumous, No. 1, 1st Mvt., arr. for alto & tenor recorders

• W. A. Mozart (1756-1791)

  Pieces number for composer : 3

• Duet based on Sonata for Piano with Violin, K. 380
• Duo, K. 423, arr. for alto & bass recorders
• Duo, K. 424, arr. for alto & bass recorders

• L. van Beethoven (1770-1827)

  Pieces number for composer : 2

• One Écossaise & Five Diabelli Variations, arr. for alto & bass recorders
• Menuetto from Symphony No. 1, arr. for alto & bass recorders

• F. P. Schubert (1797-1828)

  Pieces number for composer : 14

• Excerpts from “Quartettsatz”, D. 703, arr. for alto & bass recorders, or for soprano & tenor
• Excerpts from the “Wanderer” Fantasy, D. 760, arr. for alto & bass recorders
• Medley from the Piano Works of Schubert
• “Scherzo” from Octet, D. 803, arr. for alto & bass recorders
• Menuetto from Octet, D. 803, arr. for alto & bass, or, for soprano & tenor recorders
• Menuetto from Sonata, D. 894, arr. for alto & bass recorders, two versions
• 2nd Mvmt. of Trio No. 2, D. 929, arr. for alto & bass recorders
• “Scherzo” from Fantaisie for Pf. 4-hands, D. 940, arr. for alto & bass recorders
• Scherzo from Symphony No. 9, “The Great C major”, D. 944
• Excerpt from “Lebenstürme”, D. 947 for pf. 4-hands, arr. for alto and bass recorders, two versions, one with switch to alto @415
• Excerpt from String Quintet, D. 956, 2nd mvmt., arr. for alto & bass recorders
• Excerpt from Piano Sonata D. 958, 4th mvmt., arr. for alto & bass recorders
• Excerpt from Piano Sonata D. 958, 4th mvmt., arr. for soprano & tenor recorders
• Scherzo from Piano Sonata, D. 960, arr. for alto & bass recorders

• J. Strauss, Sr. (1804-1849)

  Pieces number for composer : 1

• Radetzky March, for alto—doubling C instrument—and bass recorders

• Eduard Strauss (1835-1916)

  Pieces number for composer : 1

• Bahn Frei! Polka, arr. for sopranino & bass recorders

• J. L. Molloy (1837-1909)

  Pieces number for composer : 1

• Love's Old Sweet Song, arr. for 2 bass or alto recorders

• M. Mussorgsky (1839-1881)

  Pieces number for composer : 1

• “Tuileries” from Pictures at an Exhibition, duet for alto & bass recorders, or soprano & tenor

• G. Mahler (1860-1911)

  Pieces number for composer : 11

• “Ging heut Morgen über's Feld”, No. 2 from Lieder eines fahrenden Gesellen arr. for alto & tenor recorders
• Excerpt from “Die zwei blauen Augen”, No. 4 from Lieder eines fahrenden Gesellen, duet for alto & bass recorders, or soprano & tenor
• “Rheinlegendchen” from Des Knaben Wunderhorn, for alto—doubling C instrument—and bass recorders
• Excerpt from Symphony No. 1, 4th Mvmt., arr. for alto & bass recorders
• Excerpt from Symphony No. 2, 5th Mvmt., arr. for alto & bass recorders
• “Revelge”, from Des Knaben Wunderhorn, arr. for alto & tenor recorders
• “Das himmlische Leben,” finale of Symphony No. 4, arr. for alto & bass recorders
• “Nun will die Sonn’ so hell aufgeh’n”, from Kindertotenlieder, arr. for alto & tenor recorders
• “In diesem Wetter!” from Kindertotenlieder, arr. for alto & bass recorders
• “Von der Jugend,” from Das Lied von der Erde, arr. for alto & bass recorders
• Excerpt from Symphony No. 9, 1st mvt., arr. for soprano & bass recorders

• E. Satie (1866-1925)

  Pieces number for composer : 6

• Pièces Froides, Part 2—Danses de travers, arr. for soprano & bass recorders
• Trois Morceaux en forme de poire, II ( (Enlevé-De moitié), arr. for alto and bass recorders
• “Celle qui parle trop” from Chapitres tournées en tous sens, arr. for 2 alto recorders
• Menus propos enfantins, arr. for recorder duet (various recorders possible)
• “Marche de Cocagne” from 3 Petites Pièces montées, arr. for alto & tenor recorders
• Sonnerie pour réveiller le bon gros Roi des Singes (lequel qui ne dort toujours que d'un œil), arr. for two alto recorders

• A. Scriabin (1872-1915)

  Pieces number for composer : 1

• Étude for Piano, Op. 2, No. 1, arr. for alto & bass recorders

• M. de Falla (1876-1946)

  Pieces number for composer : 1

• “Danza española” No. 1 from La vida breve

• Music composed by Arranger/Composer/Webmaster Jay Scheide

  Pieces number for composer : 1

• Honkia Chromatica for alto & bass recorders

• J.S. Bach - Orchestral Music

  Pieces number for composer : 1

• Testing amw Compare

• Berio

  Pieces number for composer : 1

• kkk

• J.S. Bach - Concertos - for 2+ Keyboards/Violins

  Pieces number for composer : 1

• Concerto for 2 Violins, BWV 1043, all three mvmts., arr. for 2 recorders & kbd., with bass parts

• J.S. Bach - Cantatas

  Pieces number for composer : 4

• Versus II, “Den Tod Niemand zwingen kunnt”, from Cantata 4, Christ lag in Todesbanden, arr. for recorder trio
• Sinfonia, “Gleich wie der Regen und Schnee vom Himmel fällt,” from Cantata 18, arr. for recorder trio
• 2nd Mvmt. of Cantata 78, “Wir eilen, mit schwachen, doch emsigen Schritten,” arr. for soprano, alto & bass recorders
• Aria, “Schafe können sicher weiden” (Sheep May Safely Graze) from Cantata 208, arr. for two soprano recorders & keyboard

• J.S. Bach - Brandenburg Concertos & Orchestral Suites

  Pieces number for composer : 1

• Air from Suite No. 3, BWV 1068 (“Air on the G-string”)

• J.S. Bach - Organ Music - Miscellaneous

  Pieces number for composer : 1

• Fantasia BWV 562, arr. for recorder quintet

• J.S. Bach - Keyboard Music - Miscellaneous

  Pieces number for composer : 3

• Fantasia & Fugue, BWV 904, arr. for recorder quintet
• Fugue from Sonata, BWV 964, arr. for SATB recorders
• Four Quartets from Bach for SATB recorders

• Various Composers

  Pieces number for composer : 1

• Four Recorder Quartets from 19th-Century Composers Looking Backward (plus an Alternative Transposed Version)

• W. A. Mozart (1756-1791)

  Pieces number for composer : 1

• Adagio and Fugue, K. 546, arr. for recorder quartet

• L. van Beethoven (1770-1827)

  Pieces number for composer : 1

• Three Quintets from Late Beethoven

• F. P. Schubert (1797-1828)

  Pieces number for composer : 1

• Recorder Trio based on the song Gretchen am Spinnrade, D.118

• E. Satie (1866-1925)

  Pieces number for composer : 3

• En Habit de Cheval arr. for Recorder Quintet
• 3 Gymnopédies arr. for tenor recorder, doubling alto, and guitar
• Aperçus désagréables arr. for Recorder Quartet

• M. de Falla (1876-1946)

  Pieces number for composer : 1

• Two Scenes from El Amor Brujo for Recorder Quartet

• Music composed by Arranger/Composer/Webmaster Jay Scheide

  Pieces number for composer : 7

• Set of Five Recorder Trios
• Homage to Bach (and the 3rd Section of his Organ Fantasia, BWV 572) and an anonymous Zen poet, for two alto recorders who must also sing, and bass recorder
• Jazz Canon for Recorder Trio
• In Stile Antico e Moderno (two versions)
• Canzona from Wawona
• It’s Seven-two Time
• Wiskidy (Recorder Trio)

• Fučík, Julius (1872-1916)

  Pieces number for composer : 1

• mm